Members may wish to know that a tour of the Ercol factory, in Princes Risborough, organised by Jeremy Bate, will be advertised in the forthcoming RFS Newsletter. The factory also features in the BBC’s ‘Inside the Factory’ on BBC2 tomorrow evening, Saturday 15 January 2022 at 6 p.m. So if you want a sneak preview, it’s available via the BBC iPlayer here.
I have indexed the talk as follows:
Hans Piena, Conservator/Curator, Nederlands Openluchtmuseum (Holland Open Air Museum) 0:00 Introduction to the diary of Eimert Papenborg re-discovered 1969 and then 2013 1:13 Historical context – Beethoven; The Beagle; aftermath of Napoleon; England a world power 1:58 213 pages sometimes 3 times overwritten and parts in secret code and faded 2:29 8 years of research and deciphering leading to publication in 10 chapters ISBN:978-90-823607-5-2 3:19 Achterhoek region 3:44 local map of farm site near Zieuwent 4:29 Louis Apol c. 1880 Country Road 5:07 yearly floods; Drinking Cows Willem Roelofs 1884 5:39 Jan Holtrup c. 1940 Winter afternoon in the Achterhoek – low walled huts with rye straw roof 6:02 Oldest picture of the farm 6:22 Louis Apol Looking for wood 1873-75 in Winter 6:42 Papenborg’s oldest son and family – Catholic village in Protestant country – distinctive gold crosses worn by the women 7:33 pig meat and fat eaten never beef: cows were for butter 7:56 Herman Johannes van Der Weele 1852-1930 Ploughing with ox – oxen were the tractors 8:10 main crops potatoes and rye 8:31 8 old apple varieties 8:54 Papenborg fell in love with youngest daughter of richest local farmer 1851-52 – took nearly 9 years to get permission to marry 9:55 Albert Neuhuys 1844-1914 Changing diapers – interior of family house kettle over fire 10:28 Bernhardt Winter 1905-06 women flax processing, ladder back chairs 10:51 linen cabinet – linen was most valuable item in Papenborg’s inventory 11:46 H J ten Noever Bakker 1899 Pedlar with wicker back basket selling chickens and tobacco to woman who had the money 12:22 Otto van Tussenbroek 1905 Churning butter – thrice monthly market 5-8kg butter 18 km away – profitable for cash 13:16 House interior Hendrikus Johannes Melis 1860-1923 – 3 legged table, jointed stool, cradle, books, paintings, Bible 14:06 kettle wrongly restored, hand-blown glass bottle, clock c 1860, fire tongs, stoneware jug for lamp oil 15:06 isolated, no doctors nearby, recipes in diary for medicinal herbs, no fertilisers more diversity 15:57 Anton Mauve 1838-88 Chopping wood – wood for fire, utensils, furniture, carts, barns, houses – pit saw for boards 16:30 van Der Weele 1852-1930 Oxcart with wood 17:00 crops not enough to make ends meet – charcoal production 17:34 September 1848-67 charcoal burning – alder, birch, ash, poplar, oak – tree planting to re-grow 18:58 sold to foundry, 40 km away north 8 hours each way trip Foundry 1900 Herman Heijenbrock, chalk pastels on black paper 20:38 cradle from basketmaker 21:09 Dutch willow cradle 21:28 Tilt top 3 legged round table 1851 22:08 stone cobbled floor on parents’ farm 22:23 3 legged chair ex John Boram collection 3 legs for stability Papenborg adopted tiled floor in own house and 4 legged ladder back chairs 23:15 1853 oak bureau ordered, stained and coloured like mahogany retrieved from under tons of straw and thoroughly cleaned which unfortunately removed the finish and it was then waxed 25:29 1786 oak trunk descended from Eimert Papenborg’s parents 26:06 Hendrikus Papenborg, master carpenter & cabinet maker of Zieuwent 1863-1925 27:16 Floor plan with cabinet workshop amongst ox and pig stalls 28:17 Family descended cabinet on chest made by Hendrikus Papenborg with dove and serpent tableau. Panels replaced by glass and scraped but no longer authentic finish. 29:45 but Louis XVI brasses in the workshop 30:04 cabinet details showing paint remains in rebates and 3 dowels 31:01 Another cabinet by Hendrikus Papenborg, completely original, inscribed in pencil ‘Dit kambinet gemaakt in het jaar 1892 Zieuwent den 19 maart feestdag van de H. Joseph H Papenborg Timmerman te Zieuwent’ This cabinet was made in the year 1892 on 19 March, the feast day of St Joseph H. Papenborg, carpenter in Zieuwent. Rosewood imitation, with gold and silver carving suggesting brasses, mimicking Dutch 18th century cabinet e.g. 1750 Amsterdam and 140 years later Papenborg was imitating it. Anything to escape the rustic look! 33:50 onwards: questions and answers
Following his recent well-received on-line talk to the RFS: Witwerk – The History of Dutch Painted Furniture, Hans Piena, curator of the Open Air Museum at Arnhem (Nederlands Openluchtmuseum) will talk via Zoom about the diary he discovered some years ago in a safe on a farm, which he has just successfully published in Holland.
It is the story of a lonely boy of two poor Dutch charcoal makers living in the middle of nowhere. He falls in love with the only daughter of the richest farmer in the village and after many years of courtship marries her and slowly climbs the ladder of society to become a council member and church minister. The diary, which took many specialists eight years to decipher, records not only every day’s purchases including the furniture he ordered, but also gives a good picture of his business contacts and even his coded musings on his love life. Finally we will learn about his son who became a furniture maker, some of whose pieces survive.
This event is for RFS members: if you would like to receive the link to the Zoom meeting, please reply to email@example.com.
An index of almost 7,500 English regional chairmakers created by Bernard and Geraldine Cotton has been added to BIFMO, the British and Irish Furniture Makers Online database. The index was generated over the past 50 years as part of the Cotton’s monumental research into British traditions in regional furniture. Making this resource accessible online opens the way for further discoveries about the makers of the Windsor chairs and turned chairs which were integral to the daily lives of people from Cumbria to Cornwall over the last 300 years.
Dr Bernard Cotton’s seminal publication, The English Regional Chair (Antique Collectors’ Club, 1990, reprinted 1997) stands as the definitive study of the many and varied traditions developed by chairmakers in different parts of the country. The core of it is was to identify the names, dates and locations of makers themselves, the vast majority of whom will for ever remain anonymous. The Cottons formed a card index of some 15,000 names through painstaking research of local trade directories, census returns, newspapers and other documents, at a time when none of these were digitised and computers were hardly known. Data from the manuscript cards was recently scanned and then transcribed into an Excel spreadsheet; after many months of careful work this has now been successfully uploaded onto BIFMO as a major new resource, accessible to all. Funding for this work has been kindly provided by a generous donor and a grant from the Regional Furniture Society. It could not have been achieved without the support of the Furniture History Society, which created and manages the BIFMO site, and the largely voluntary commitment of Laurie Lindey, BIFMO Managing Editor.
Photographs of chairs made by these makers, who identified their work with their branded or stamped initials or name, or with a label, will be added to the entries over the next few weeks. Many will be of chairs in the Cotton Collection of over 200 English regional chairs which they donated to the Museum of the Home (formerly the Geffrye Museum) in 2002.
In parallel with this chairmaker index, work is progressing to transcribe a further index of English regional cabinet makers, turners and joiners which the Cottons developed as their research progressed. These were the makers of the press cupboards, dressers, chests, tables and beds, salt boxes and candle boxes, and all the many incidental and utilitarian household objects required for everyday use. The index comprises some 25,000 names and will in due course be added to BIFMO, providing a rich seam for ancestry research and local history.
The Cotton Archive of British Regional Furniture containing all of the material studied and collected during a lifetime of research, is now being catalogued prior to its being donated to the Museum of the Home. The first and most significant part of the archive, which covers all of the English regions, with Scotland, Ireland and Wales as well as the Channel Islands and Isle of Man, was transferred in October 2021. Digital recordings and transcripts of 12 interviews with Dr Cotton made as part of the cataloguing project, describing the vernacular furniture traditions of the English regions, are part of this first donation. Further material, including an extensive photographic archive and a series of fieldwork research notebooks will follow next year, as well as research files on Australia, America, Newfoundland and other countries where the British settled and influenced furniture.
In a statement, Dr Bernard (Bill) Cotton writes,
‘My ambition has been to identify the origins of furniture made for the homes of working people, and to record, where possible, the names of makers and the social context in which it was used. The transfer of our regional chairmakers index to BIFMO opens the potential for others to continue the research to which my wife, Geraldine and I have devoted much of our lives. We are grateful to all those who have made this possible and are excited by the prospect of new discoveries being made as a result.’
Liz Hancock, Chairman of the Regional Furniture Society says,
‘The regional chairmaker database is an important addition to BIFMO and represents a major contribution to furniture studies. On behalf of the Regional Furniture Society (RFS) I would like to congratulate all those involved in making this invaluable resource accessible online. Bernard and Geraldine Cotton were founder members of the RFS, established in 1984 with the aim of researching and recording the regional traditions of furniture making throughout Britain and Ireland. This includes the social and cultural context of furniture and its relation to vernacular architecture and interiors. The chairmaker database offers new opportunities in this developing field of research.’
Chairman of the Furniture History Society, Christopher Rowell writes:
‘The Furniture History Society is honoured to have been entrusted by Dr and Mrs Cotton with the fruits of their research which will greatly enrich BIFMO in the field of vernacular furniture studies. The Society is also grateful to the Regional Furniture Society and an anonymous donor for the grants to enable the digitisation of the material.’
And Sonia Solicari, Director, Museum of the Home, said:
“It’s exciting that the index to this incredible archive is being made accessible, enabling many more people to enjoy the rich history of these chairs. Bernard and Geraldine Cotton unearthed so many otherwise forgotten stories in their decades of research and collecting. I hope that the BIFMO database will enable more stories of everyday making and home life to be revealed and shared in the decades to come.”
Any enquiries, please contact Laurie Lindey, BIFMO Managing Editor, firstname.lastname@example.org
BIFMO (British and Irish Furniture Makers Online):
We are very sorry to announce the death on 16 November 2021 of our former Chairman, Chris Pickvance, aged 77. Chris’s funeral will take place on 8 December 2021, at 2:40pm, at the Barham Crematorium, Canterbury Road (A260), Barham, Nr Canterbury, Kent CT4 6QU; 8.5 miles from Canterbury. It will be webcast, at the family’s request, so that people who cannot attend in person can follow it: the funeral will last 30-40 minutes. Members who wish to view the webcast are asked to email email@example.com for the link.
Katy Pickvance would like to ask anyone who can, please, to donate in Chris’s name and memory to the Pilgrims Hospice, Canterbury because it is an incredible place for ‘end of life care’, and needs help to continue its work.
Chris was really quite a private person and although many of us in the RFS spent many hours on
study trips and in meetings with him, few I think were able to get very close to him. His sudden and
tragic death from oesophagus cancer, which we learn from his family was only discovered in
September this year, has left us feeling deprived of someone who contributed enormously to the
Society, partly as Chairman over the last 10 years and perhaps more significantly as an expert in
This particular line of research grew from a more general interest in medieval and Renaissance
furniture and woodwork both in Britain and on the Continent. He led two wonderful study trips to
France in 2005 and 2011, the first to Brittany and the second to Paris and Burgundy. Both were
made special by his knowledge of the places, furniture and scholars we would encounter.
His personal study of medieval chests led him to many discoveries about these often neglected
ancient relics, tucked away in the corners of churches. By careful observation of structural details,
decorative carving and the ironwork of locks and straps, coupled with dendrochronology and diligent
comparison with the work of scholars abroad, he has tentatively reached a new level of
understanding about their origins and their place in medieval society. As an academic, he was
comfortable with the processes of publishing in peer-reviewed journals and lecturing to
knowledgeable audiences. His central research on chests is published in two articles, the first,
‘”Kentish Gothic” or imported? Understanding a group of early fifteenth century tracery-carved
medieval chests in Kent and Norfolk’, Archaeologia Cantiana, vol. 138 (2017); and the second, ‘The
Canterbury group of arcaded gothic early medieval chests: a dendrochronological and comparative
study’, The Antiquaries Journal, vol. 98 (2018). He also published numerous articles and reports in
the RFS Newsletter, which give insights into his broad understanding of the diversity of regional
furniture. He was a keen advocate of the Society’s Research in Progress Days, and in 2018 organised
a memorable day of lectures on 16th century furniture. In March this year he organised ‘New
Thinking about Medieval Furniture’, an online conference presenting current research from a variety
of perspectives. The event was free and attracted many non-members across Europe and America.
Shortly before his death Chris made a very generous donation of £10,000 to the Society to fund
bursaries for research into medieval chests, thus ensuring that his studies will be continued by
others, and extended across a wider geographical range than he was able to cover. Increasing
people’s awareness of the significance of such objects is surely the best way to see that they are
properly taken care of and treasured in the way that they deserve.
Chris was quietly unassuming, never one to step easily into the limelight, but he led the Society well
during his chairmanship, reinforcing its purposes in research and publishing, and overseeing a
tightening of policies and governance which will stand us in good stead for many years to come. He has left an indelible legacy, and we will always be grateful for that, and we will remember him fondly
both as a friend and fellow traveller in the study of regional furniture.
President, Regional Furniture Society
RFS members are kindly invited by the FHS to ‘In the Richest and Most Costly Style’: Furnishing Goldsmiths’ Hall, 1834-5 by Michael Shrive (Assistant Curator at Waddesdon Manor), Sunday, 28 November 2021, 19.00 (BST), 14.00 (ED).
|Home to the Worshipful Company of Goldsmiths, the Goldsmiths’ Hall in the heart of the City of London was designed by Philip Hardwick (1792-1870) and opened to great acclaim in 1835. The third building of its kind on the site, Hardwick also designed many of the furnishings and employed Thomas and George Seddon and William and Charles Wilkinson to execute the work. Despite some wartime losses, much of the furniture survives in situ and remains in use to the present day. It is also one of the best documented commissions of its time, supplemented by a comprehensive archive including estimate sketchbooks, scale drawings and a complete series of accounts. This lecture will highlight previously unpublished material relating to the commission.|
Michael Shrive is Assistant Curator at Waddesdon Manor in Buckinghamshire (National Trust / Rothschild Collections) and currently sits on the Furniture History Society’s Events Committee. He recently contributed to the publications Jean-Henri Riesener: Cabinetmaker to Louis XVI and Marie Antoinette (2020) and Furniture History (2019). In 2016 he graduated with an MA in Decorative Arts and Historic Interiors from the University of Buckingham and his dissertation topic was the furnishing of Goldsmiths’ Hall. Formerly he was Curatorial Intern of Decorative Arts at Royal Collection Trust and also worked on the National Trust’s Furniture Research and Cataloguing Project.
This lecture is free to members. Non-members wishing to attend can pay for £5 for tickets here.
Attendees will be admitted from a waiting room from 18.45. Please make sure you are muted and your camera turned off. Please note that for security reasons we will lock the meeting at 19.20, so make sure you have joined us by then.
We hope to see many of you on Sunday, 28 November.
For any queries, please email firstname.lastname@example.org.
This event is sponsored by
The Paul Mellon Centre for Studies in British Art.
The Geffrye Museum has undergone a number of re-inventions over the 90 years since its foundation as a museum devoted to the furniture industry in what was then the most heavily populated and deprived district of London.
It has just emerged from a major expansion with a new name: The Museum of the Home, which reflects its evolution from a museum devoted to furniture, to a broader remit revealing the way we live, and to reflect what home means to people of different backgrounds, circumstances, and cultures.
On arrival visitors first explore the new subterranean rooms with arresting displays before ascending to the familiar run of period rooms on the ground floor which will be decorated for the Winter Festival as celebrated by different cultures in London – Diwali, Hanukkah and Christmas Past.
An early curator of the Geffrye was Marjorie Quennell who believed that children would be inspired by learning our social history rather than the dates of monarchs and battles. Between 1918 and 1934 she published a series of books Everyday Things in England 1066-1900 illustrated by her architect husband. The series remained in print until 2000. There is a small display in the museum
about the Quennells whose illustrations perhaps influenced some of the delightful new murals on the ground floor of the museum. The museum is more than ever a great experience for children and adults alike.
We are invited to arrive from 11:00 with an un-guided tour of the public galleries. We may lunch across the courtyard at Molly’s Café housed in a former Victorian pub and regroup at 14:00 when The MoTH’s curator Louis Platman will present a ‘Round Britain” selection from the 40 chairs of the Cotton collection, many familiar from Bill Cotton’s books but out of sight for many years.
The visit is limited to just 10 RFS members since we will be entering non-public areas. There is no charge. Applications by email to Jeremy Bate either to his private email or to email@example.com. Places will be allocated in order of receipt.
Now that’s a proper castle. Members may be interested in the next forthcoming tour from Wessex Fine Art Study Courses in June 2022, organised by Barbara Peacock. Led by Dr David Jones, the tour will be based in Aberdeenshire and Moray.
Foremost must be the great concentration of romantic turreted tower houses, dating from mediaeval times to the 16th century and known for their excitingly varied silhouettes and their rich Renaissance plasterwork and painted ceilings. Such are Crathes, Craigievar, Fyvie and Monymusk, built by the great Scottish lairds of the period. The tower theme continues into the early 18th-century with the dramatic Baroque splendour of William Adam’s Duff House, and in the 19th century is revived in the castellated Gothic of Gillespie Graham’s Drumtochty Castle and Archibald Simpson’s superbly sited Castle Forbes. By contrast, William Adam’s Haddo House (1732) is a restrained classical Palladian country house, with Adam Revival interiors furnished by the important Victorian firm of Wright and Mansfield.
A yew ‘garlands’ chest front, dated 1664, South-western Brittany
Photo credit: CEFA Auctions
For members interested in regional furniture outside the UK, a scanned version of a long out of print booklet on Breton chests and carved panels published in 1976 is now available.
Written by Marguerite Le Roux-Paugam, Les coffres paysans du Leon et de Haute Cornouaille (XVIe et XVIIe siecles) is a study of fifty dated chests from western (or Lower) Brittany. A few of them date from 1550-1600, but the numbers peak in 1630-70 and decline thereafter. She argues that this trend matches the evolution of the area’s prosperity. She shows that there were two sizes of chest; clothes chests of 100-170 cm in width and grain chests of 180-215 cm. Selly Manor Museum, Bournville has an example of each.
These chests have a distinctive style of decoration in that Gothic tracery retained its popularity in Brittany until the 1660s and was combined with renaissance motifs such as interlace. Other motifs include the lively humans and animals also found on carved woodwork in Breton churches. Intact sixteenth and seventeenth century chests are rare but chest fronts and loose panels have made their way to the UK.
The decoration of chests varies within Lower Brittany. The title of the booklet refers to chests in the extreme north-western part of Brittany but the images include chests from south western Brittany, where ‘garlands’ chests are most common. The best collection of Breton chests is at the Departmental museum at Quimper. Enter ‘coffre’
I have prepared a hyperlinked index for each of the Society’s lectures on the RFS YouTube channel. It enables the user to go to straight to any given element without having to guess where in each talk any particular segment happened to fall. I hope users may find it useful. The contents of each video’s index may also be found in each RFS YouTube video’s ‘Description’ field which appears below the title of each talk. Click on ‘SHOW MORE’ to make the hyperlinks visible there.
18th Century Windsor Chairs – Early Types & New Discoveries in Lincolnshire 07 February 2021 talk
Speaker: Julian Parker – 1:36 Regional Furniture Society – 4:08 anatomy of Windsor chairs – 4:46 bow back Windsor chairs – 6:38 comb back Windsor chairs – 11:51 Jacques Rigaud – 14:21 V&A type comb back – 18:07 Mark Haworth-Booth – Sir Roger and Lady Bradshaigh at Haigh Hall – Jonathan Richardson – 20:03 (and 28:54) Nancy Goyne Evans – Joseph Highmore – 21:07 Georg Lisiewski – Das Tabakscollegium – Friedrich Wilhelm I of Prussia (and 23:53) – George I – George II – 22:25 Königs Wusterhausen – 22:58 Jagdschloss Stern – 24:40 Christopher Gilbert – Arthur Devis – 24:56 Thomas Crispin – Edward Haytley – 26:08 Michael Harding Hill – 26:20 Rodney Griffiths – 27:22 Samuel Richardson by Joseph Highmore – 28:28 William Sergeant 29:00 Sworders comb back with blacksmith’s repairs – 30:30 Branston, Lincolnshire – Methodism in Lincolnshire – Old Rectory, Epworth, Lincolnshire – 32:26 John Wesley’s comb back Windsor – 33:54 Robert Young Antiques – 34:41 Wren Library, Lincoln Cathedral Wren Type 1 comb back – 36:57 Wren Type 2 comb back – 38:46 Wren Type 2 in 1909 – 39:09 Wren Type 2 in 1909 – 39:28 Hanslip Fletcher – 39:51 Thames Valley Windsor chairs – 41:21 cf. Lincolnshire Windsor chairs – 43:50 Chippendale’s Director 1754 and 1762 – 44:16 Robert Manwaring Cabinet and Chairmaker’s Real Friend and Companion 1765 – 44:44 Dr B D Cotton The English Regional Chair – 45:47 David Swanson Antiques (and 48:17) – 46:40 David Charles Dodge Antiques (and 48:50) – 47:05 Tim and Betsan Bowen – 47:38 Roger Warner – 49:07 Lawrence of Crewkerne – 49:30 Peter Bundy – 50:42 Wakelin and Linfield – 51:12 and 51:44 William Sergeant, Lincolnshire Chair Museum – Tim Garland, Antiques Restorer – Rob Ley, chair maker.
18th Century Windsor Chairs – Research, Repair & Authentic Replication – 14 February 2021 talk
Speaker: Julian Parker – 0:55 Regional Furniture Society – 3:02 vernacular furniture research 5:03 sources – 7:34 Credits – 8:20 re-cap from Part 1 – anatomy and dimensions of the comb back – 11:58 furniture restoration of the Newark chairs by Tim Garland – 16:58 turners of wood in 17th century Grantham – 18:15 Joseph Newton of Fenton in the parish of Beckingham, Lincolnshire, near Newark in the County of Nottinghamshire – 18:25 Stamford Mercury 1st July 1725 – White Hart – The Angel – 19:41 Stamford Mercury 1st July 1729 – John Fox, gunsmith, Grantham – 24:24 John Farrow, joiner, Newark upon Trent – 24:39 John Shackleton, joiner, Nottingham Gainsborough – 25:52 JOHN BROWN’S At the Three Chairs and Wallnut Tree in St. Paul’s Church-Yard – The Craftsman 11th April 1730 – 26:58 Lord Byron – Byron family – Newstead Abbey 29:20 William Partridge, Banbury – Jackson’s Oxford Journal 13th July 1754 – 29:55 Will of Joseph Newton 1752/52 30:51 summary of possible Newton chairs – 32:32 lap joints – dowel pegs – 35:58 summary – 36:56 Thames Valley Windsor side chairs – 37:45 earliest Windsor side chair – anatomy of Windsor chairs – 39:58 Rob Ley – 40:43 Thomas Hennell The Countryman at Work (1947) – 42:54 carpenter’s adze – bottomer’s adze – froe and mallet – turner’s axe – 43:15 hand augers – brace and spoon bit – 43:23 travishers – spoke shaves – scratch stock moulding – draw knife – 43:46 felling ash – 44:16 riving ash – 44:50 riving video clip – 48:42 making a leg – 49:43 lathe video clip – rough gouge – skew chisel – 51:58 steam bending – bending brace – steambox – 53:27 bending table – chair seat former – 54:43 seat adzing video clip – 57:16 chair framing – animal glue – 1:00:40 repair and restoration of Sworders comb back with blacksmith’s repairs 1:03:05 new lathe needed! 1:03:50 John Boden – 1:04:02 more repairs Rob Ley and Tim Garland 1:06:00 the Bonham’s side chair, just discovered, compared to the Robert Young side chair – 1:11:56 Where next? – 1:11:40 RFS Leaflet
Agnès Bos – RFS Research in Progress 1- ‘Reappraisal of the ‘Medieval’ Arconati-Visconti Dressoir’
‘A Reappraisal of the ‘Medieval’ Arconati-Visconti Dressoir at the Louvre’ Agnès Bos is a Lecturer in Art History at the University of St Andrews. She was a curator at the Louvre from 2006 to 2016 specialising in decorative arts from the late middle ages to the 17th century, with a focus on furniture, tapestries and textiles. In 2019 she published the catalogue raisonné of the Medieval and Renaissance furniture of the Louvre. 0:00 Liz Hancock – Introduction to the day 1:11 Chris Pickvance – Chair, morning session 3:31 Agnes Bos Arconati-Visconti Dressoir 4:05 catalogue raisonné 10 year project 5:27 diverse collection in Louvre, mostly French 6:27 English or Flemish chest 6:48 Centre de Recherche et de Restoration des Musees de France is based at Palais du Louvre Restoration, conservation research all in one place 8:37 conservation studio; work in progress: X-rays, paint analysis, also gilding 9:20 dendrochronology 10:27 Renaissance chest with later front opening doors 11:24 medieval dressoir 11:55 Marquise Arconati-Visconti 1916 donation 13:57 Arconati-Visconti collection published 15:30 Émile Molinier curator end of 19th century 16:44 Maximilien I dressoir is similar 17:27 Arconati-Visconti dressoir is oak, massive 165 cm high – 25 cms taller than normal 18:18 it is not deep 18:54 rear view 19:17 delicate vegetal carved decoration with vine leaves, birds, salamanders, rh bottom drawer snake, small dog 20:37 sides 20:48 V&A dressoir door 20:20 another from le Louvre Brabant 1521-24 22:05 illuminated manuscript borders 22:30 musee de Cluny Abbot’s chapel 23:07 statuettes on upper part of dressoir, probably religious 23:39 3 pendants details cf 24:02 Rouen Saint Ouen Abbey corbel 24:44 place of manufacture and date of dressoir ? France ? Flanders late c15. 25:34 Jacques Thirion ‘magnifique dressoir’ 26:30 oddities: different heights of sculpture panels. Top and base are not authentic. 27:33 x-rays – not all pendant construction consistent 28:15 dendro samples from different parts 29:01 not all analysable e.g. sides but 29:56 red panel felled 1510-40 lower parts (green) felled 1658-1669 30:45 doors in grey are old and genuine c16 l drawer and linenfold panelling yellow c17 or c19 purple red unknown date 32:20 even if pendants c16 there were not originally three – only one and with legs 33:37 two pendants may be reused from a missing canopy or another piece 34:26 – not mediaeval, barely genuine c17 wood a surprise 35:15 may be c19 forgers using old wood – old armoire may have been used 36:38 is it “mediaeval”? No – Q1 c16 36:52 another Marquise Arconati-Visconti “renaissance” dressoir dendro dating very similar 38:51 c16 wood from where? Paris? Not Flemish. 40:00 Q&A wood from east of Paris towards Champagne
Cécile Lagane – RFS Research in Progress 2 – Armoires of Bayeux (Normandy) and Aubazine (Limousin)
Cécile Lagane (Centre Michel de Boüard /CRAHAM, Caen), ‘Evolution and Transformation of Furniture in its Architectural Environment: the Armoires of Bayeux (Normandy) and Aubazine (Limousin)’. Cécile’s doctoral thesis on Medieval furniture and furnishings from 500-1300 will be published shortly. 0:00 Introduction by Chris Pickvance 2:00 Cécile Lagane – architectural style 3:02 Eugène Viollet-le-Duc César Daly Pierre Gélis-Didot were all architects 3:56 ‘romanesque’ ‘gothic’ ‘plain’ architectural styles were used for dating furniture but it was wrong 4:38 3 plain chests 1) late c12 Chest from the Lüneburger collection, TR-NR300, 1174d 2) late c13 Chest from the Musée du Valère, Sion, MV 8690, 1272 – 1273d 3) late c14 Chest from the Lüneburger collection, TR-NR 319, 1398 but they all look constructionally the same 5:42 armoire Aubazine dated just by ‘look’ 7:10 armoire Bayeux – its painted door has been the sole focus – rest ignored. Architectural style is not the only or the correct way to study furniture. Archaeological approach required 9:06 armoire: free standing closed storage structure for weapons from Latin ‘armarium’; not many left in Europe; all dissimilar; 11:35 armoire Aubazine (Corrèze) c12 Benedictine monastery with Saint-Etienne church with armoire of oak ‘oldest self standing piece in France or even Europe’? Discovered by Eugène Emmanuel Viollet-le-Duc c19 Monument Historique 1891 2.32m high 6 solid 30 x 10 cm uprights trad. dated late c12 early c13 because of barrel arches similar to bell tower of the Saint-Etienne church consecrated in 1176 (cl. Structurae) and vaulted arches of the 12th c. cloisters (cl. Limousin Medieval) and fleur de lis motifs on baptismal font but it is not of that date. 14:50 Rectangular Boards with arch doors assembled via dowels, tongue and groove 15:50 bolt with animal head 16:10 barrel arches summit moulding with triangular frieze highlighted in red with fleur de lis decorative elements; decorative nails already lost by c19 17:25 4 levels of shelves; some later; nothing comparable in Europe; dowels, tongue and groove doesn’t help date; cf other extruded moulding at Noyon (Oise) c1216-1240d Westminster 1377-1393d (by dendro) Malines 1475-1476d (by document) 20:28 cf chest with uprights that turn into legs Sion 1294 Wienhausen 1330 Westminster 1237-1269 Noyon 1227-1260d 22:12 barrel arches found esp Musée du Valère Sion chest MV 1237, 1225-1250d chest MV 84 1150-1270d (c14) chest MV 82 1270d exactly same method as armoire by dowelling on to surface. 23:46 metallic elements bolts lock plate all similar to late c13 to late c14 inc bolts with animal head Abbey Maillezais Vendee 25:00 cf fleur de lis c12 to c15 v common Westminster late c13, Châtenois (Lower Rhine) in Spielmann 2016 c15 Überlingen c14 26:00 Pierpont Morgan Library, New York MS M.521r, c. 1155-1160 Ms. Egerton 3028 f° 94r, British Library, c. 1325-1350 Colmar BM Ms. 428 f°397v c15 late c13 to late c14 more likely than the church. Church is late c12. Armoire looks like church therefore 27:36 fleur de lis armoire fittings look original as straps have no shadow Church cupboard doors may be made to look like armoire as they do have move shadows. Font cupboard doors are in c18 wall (1731) but ? re-used. 32:21 trying to do dendro if tenure and funding can be found. Armoire therefore prob bit later than c12/c13. 33:12 Bayeux in treasury chapel on first floor armoire known from 33:56 c15 document 34:15 studied 1852 by César Daly Monument Historique 1898 Viollet-le-Duc drew 34:36 without seeing it. 35:02 Dated 1st half c13 because of date of chapel. 3m high 5.2m long 88cms deep Two rows doors, barrel hinges iron straps 36:20 drawing, rests on bench 3 pinnacles 37:00 painted with palmettes 37:28 used to be 8 sets not 7 of doors – it’s been altered from symmetry. Left hand end legs have been moved. It was made to fit the room. 40:17 modifications – 7 top doors and 2 lower are prob original 41:50 Lock, bolt of first door upper row Late c13 or 14th, original?; late c14 Lock, bolt of last door on lower row: bolt late c13 or 14, lock late c19 post Daly 1852 drawing 43:12 green paint may be later. 43:32 5 bottom doors have traces of scenes and scrubbed green paint 44:45 straps were removed and others added and lock removed and gap plugged 45:30 3 doors have much green, removed hinges and straps and must have come from some other piece of furniture. 46:00 Last 2 doors on left difficult. RH door has features like the original ones but it is too big. Complicated 47:24 The painted famous door not from original armoire but added later. Where from? Who knows. God in majesty holding globe; 4 monks with reliquary; inside bare so not like the 3 green doors. 49:00 so it evolved. No locks original. 49:53 date: prob not early c13 but 50:25 cf old Noyon armoire that was c14 that was destroyed in WWI 50:55 fits round tiles; must be c14 52:04 York Minster cupboards in Zouche chapel dendro dated to 1400 53:48 Q&A
Nick Humphrey – RFS Research in Progress 3 – Desk Cupboard, Oak, England, 1430-1450
Nick Humphrey (Furniture, Textiles and Fashion Dept., Victoria and Albert Museum, London), ‘A Fifteenth-century Desk-cupboard at the Victoria and Albert Museum’. Nick is the curator responsible for pre-1700 furniture, woodwork and leatherwork and was involved in creating the British Galleries (2001), the Medieval and Renaissance galleries (2009), the Dr Susan Weber (Furniture) Gallery (2012), and the Europe galleries 1600-1815 (2015). His most recent publication revisits the museum’s most famous piece of furniture, the Great Bed of Ware; current research includes cypress wood chests and Latin-American lacquer 0:14 Fred Roe 1908 first mention; bought 1898; then dated to 1500; 2:10 2012 re-display led to re-appraisal 3:00 writing slope for manuscript? 4:23 free standing; just under 1m high; 38 degrees to horizontal; cavetto moulding; 5:35 scratching; can be propped open with 3 rods; 6:16 metal lock 6:36 cavity; groove that may have held shelf; signs of shelves at 4″ and 8″ height 8:03 sides and front: designs differ between the two sides; two lion masks; 9:55 embattlement has been removed; 10:44 for sitting or standing? Some evidence of broken off wooden dowels 12:00 cf chair stall construction with lectern top cf chests; desk shares some characteristics of both 13:16 drawing of construction 14:15 isometric exploded view by Richard Sheppard; clever tenons and mortices 16:00 full height board carved in solid linked by dowels; 18:00 some similarities to masons’ joints 19:00 complex inventive form 19:23 Tracy (1988) said 1375-1400 English tracery; lion masks; Lincoln and Chichester; 20:00 dendro 2012 slow growth eastern baltic oak and also fast growth English. Dendro on lid growing in 1420: for use 1430-1450; 22:00 could it be continental? English most likely even though 2 generations later than Tracy. 23:20 cf Lincoln library desks 1422 St Walburge de Zutphen 1564 Bibliotheca Laurenziana (Florence) 1524-34 designed by Michelangelo made c1550 by Giovan Battista del Cinque e Ciapino; seated; standing; study desk 24:40 seated: 45 degrees Lincoln desks 26:21 lecterns antiphonary walnut 1502 S Agostino Perugia attr.. Baccio d’Agnolo; oak, St Thomas a Becket Ramsey, Cambridgeshire; c15 c16 Eagle lectern Chirk Castle, Denbighshire; 27:40 torah pulpit 1440-80 Musee d’art et d’histoire de Judaism, Paris 28:12 oak pult 1490 Martinskirke Landschut Bayerischenationalemuseum 29:31 Jean Mielot 1465; oak book cupboard, Vicar’s Library, Wells Cathedral; 32:06 enlarged and book slope; 32:58 comparable units; 32:25 scriptoria (no illustrations) private study desks (plentiful 1300-1425) but nothing specifically English; 35:20 comfort and convenience of desks matter; 36:25 desk with side opening with or without door 36:50 lateral openings Master of the Prayer Books 1500 Master of the Manderville Travels Bohemia 1400-1425; V&A desk is 34 inches wide; 38:30 Lucas Cranach St Jerome 1515; movable if not portable; 39:55 desk box of Henry VIII 41:10 footrests present, kneeholes absent; 42:02 all have slopes; and desk tidies; 45:49 V&A missing its base makes it tricky: unlikely to be more than 5″ or too hard to reach inside – not for standing – it was for use seated; reading slope plus storage; ecclesiastical context most likely; admirable, useful and durable – a rare survivor
Jens Kremb – RFS Research in Progress 4 ‘The Chest of Drawers: a Late Medieval Piece of Furniture?’
Jens Kremb (Independent scholar, Bonn), ‘The Chest of Drawers: a Late Medieval Piece of Furniture?’ His doctoral thesis about painted tabletops in the late Middle Ages, was published as Bemalte Tischplatten des Spätmittelalters (Böhlau Verlag, 2015). He has created a research initiative on medieval furniture (www.inimm.de); 00:47 start Chest of Drawers – late Medieval Piece of Furniture? 1:46 Max Planck open-mindedness is needed; 3:00 storage furniture with 2 or more drawers c17 French, not in Germany before 1720; 3:20 Gloag 1952 in England c17, but in a 1673 Essex inventory; 4:34 1599 chest with drawers Southwark 1560; 5:52 kommode 1713 Versailles 6:45 Cassettone Liguria 1600-1650 V&A; 7:20 Heinrich Kreisel not in Germany pre-1720s but focused on kommode; 9:21 Cassettone 1600-1609, Castello Sforzesco, Milano; 9:32 c17 chests V&A, drawers with cupboard doors; 10:09 Paris 1700-1720 Chest of Drawers V&A 11:07 Gothic kommode? Ulrich Auer, Box with drawers Castle Pappenheim lost since 1945; 12:14 Hans Traut Rueland Frueauf Augustiner Altarpiece 1487 Germanisches Nationalmuseum Nuremburg 13:05 reconstruction of closed altarpiece 13:16 wings of altarpiece 13:29 St Luke painting the Virgin 14:40 Virgin on chair detail legs and stretcher, dowels, mortice and tenon joints visible; 15:34 St Luke’s bench detail ogive arch, trefoil; easel detailed too 16:52 behind the easel there is, clearly, what may be a chest of drawers 17:26 detail of chest end board; height split in thirds – independent stand alone storage furniture with probably 3 drawers; painters detail is accurate; 19:09 St Vitus with castle – identified as Castello del Buonconsiglio in Trento by eight windows with arcades, built in 1475; 19:58 studio similar to contemporary written sources; and here 200 years before one might expect it is a chest of drawers; 22:08 Meister des Laufener Nothelfer Altars 1495-1505 Intercessor Altar, Miracle of the Roses, Elizabeth of Hungary, church of Laufen, Bavaria; another storage box with an open drawer with dovetail but no handle; 23:43 chest with drawer, France c15; 24:42 X-ray shows St Luke furniture was not added later; 25:50 Sacristy cupboard 1539 Feldkirch, Austria, lost; 27:01 underpart of sacristy cupboard, 2nd half c15 Austria, lost; 27:41 St Luke’s chest is not like the sacristy cupboard 28:27 Chest of drawers for vestments, The Cloisters, Metropolitan Museum, New York c15 France ? 28:56 credenza with drawers 1475 Florence; 29:35 Chest with drawers Salzburg end c15 Germanisches Nationalmuseum Nuremburg 29:58 Archive cupboard 1455 Diocesan Museum, Wroclaw; 30:30 table with drawers, Cistercian Abbey, Wettingen, Switzerland, to Abbot Rudolf Wulfinger 1436, oldest with drawers in Switzerland; 30:55 Pappenheim 1458 again; 31:08 Jean Mielot 1456 in his scriptorium by Jean le Tavernier, Miracles de Notre Dame showing a box with drawers with runners; 32:02 Asteas crater with drawer with two handles 350-340BC, Altes Museum Berlin; 32:36 Musei Vaticani, c1AD grave altar of cutler L Cornelius Atimetus with a drawer; 34:52 German Masterpiece regulations: drawer – schublade -lade; till box also lade 35:18 1427 Munich Regulations ‘truchen mid laedelein’ ?chest with till box? 1508 ‘ladegschier’ drawers and ‘drivachen inneren laden’ 36:12 three drawers or three till boxes? 36:48 no written sources proof in c15 but the chest of drawers plainly attained its form long before France at the end of the c17; 37:40 be open minded. 38:14 Q&A dovetails
Christopher Pickvance – RFS Research in Progress 5 ‘English Clamped Chests from 1250-1350’
Christopher Pickvance ‘A Closer Look at a Group of English Clamped Chests from 1250-1350: Timber, Construction and Decoration’. Chris has been researching medieval chests for over ten years using dendrochronology. Articles in Regional Furniture, The Antiquaries Journal and archaeological journals; see http://www.researchgate.net; 2:11 Start of talk; construction types: dug out construction, trunk recess-cut, lid with strap hinge, Horning, Suffolk, late c12 based on the ironwork; 2:45 boarded construction or ‘six plank’, weak structure which needs strap work, 85% to 90% are like this, Laneham, Nottinghamshire c14; 3:45 mixed construction (boarded and dugout), with iron straps, Kent, imported, dendro dated 1390-1420 (lid is hollowed out Baltic limewood; 4:29 clamped construction (5%); front board is pegged into grooves in vertical stiles, Horsham, pegs with iron caps, iron disks and escutcheon; 5:32 view of joints Graveney and Canterbury 1237-1260 early but sophisticated; 8:56 Primary sources: F. Roe, Ancient Coffers and Cupboards, 1902 P.M. Johnston, Church chests of 12th and 13th centuries in England, Archaeological Journal, 64: 243–306, 1907 H.W. Lewer and J.C. Wall, The Church Chests of Essex, 1913 P. Eames, Medieval Furniture, Furniture History, 13, 1977 J. Geddes, Medieval Decorative Ironwork in England, 1999 K.H. von Stülpnagel, Die Gothische Truhen der Lüneberger Heidekloster, 2000 11:42 D Miles and M Bridge. Westminster Abbey, London: Tree-ring Dating of the Chests and Fittings. Portsmouth: English Heritage, 2008 M. Bridge and D. Miles Overview on dendro-dated chests Regional Furniture, 25, 2011 (on RFS website) D. Sherlock, Suffolk Church Chests, 2008 C. Charles, and C. Veuillet, Coffres et coffrets du Moyen Age dans les collections du Musée d’histoire du Valais, 2012 Background E. Mercer, Furniture 700-1700, 1969 A. Bowett, Woods in British Furniture-making 1400-1900, 2012 B.M.S. Campbell, The Great Transition, 2016 13:16 The 1970s onwards: the rise of dendrochronology New wave of recording Knowledge base: Secondary sources Edicts, value of church furnishings, inventories, accounts, images Result: Limitations of pre-1970s primary studies. Advances of later studies, but continuing obstacles 25:48 Distribution of domed pine chests in England, imported, 1390—1420d (Gavin Simpson). 27:27 Tracery-carved imported chest, TPQ 1390-1420, Faversham Kent, (others in Kent and Norfolk) 30:38 Pin hinged clamped chests Clamped construction, not boarded or dug-out Pin (or pivot) hinges, not iron strap hinges Walls pegged into long grooves in stiles Tills, inward-sloping sides, with or without applied grids Bases made of long or short boards, clamped into grooves in the front, back and sides Joints: Butted and dowelled, or V-joints 30:56 Chartres cathedral 31:20 Pin hinge and applied strengthening grid (Plain sided chests exist too) 32:12 Pin hinge and till to store small items, can have hidden lower section 32:29 Internal view, joints here with V- edges (can also be with straight edges and dowelled), internal surfaces 33:01 Long bolt with prongs: part of lock found in almost all Sussex, Kent etc examples 33:18 The bolt engages with rigid iron staples held in lid when central key is turned 33:36 The staples drop into slots in the top of a wooden cover (unless distorted) 33:50 A wooden cover conceals the bolt mm:ss 34:06 Pin-hinged clamped chests: distribution Of 56, 21 have carved or incised facades, 35 are plain Carved decoration is concentrated mainly in West Sussex (chip-carved roundels, or roundels and carved gothic arcading) and North-East Kent (outline gothic arcading) Locks: mainly sliding bolt type, but mixed in East Anglia and Essex 34:14 Distribution of pin-hinged clamped chests by county.Number with carved facades/total number (carved and plain).‘Carved façade’ includes roundels and/or arcading 35:59 Canterbury, Kent, FDR,1237-69 36:26 Hindringham, Norfolk, 3rd quarter 13th century 36:57 Climping, Sussex (in Chichester Cathedral), 1st quarter 14th c, arcading and round 37:55 Buxted, Sussex, 1318-50, arcading and roundels 38:13 Winchester Cathedral 38:22 Chichester Cathedral, 1256-88 38:35 Chichester Cathedral, polychrome 38:50 Midhurst, Sussex 38:51 Bosham, Sussex 39:01 Hants (V&A W.30-1926) 39:15 Laneham, Notts 39:39 Earl Stonham, Suffolk 40:15 Longstanton, Cambs 40:47 Pin-hinged clamped chests: the West Sussex group and its outliers Q. 1 Are the roundels chests a single group? Q. 2 What were the chests used for? Q. 3 Why roundels? Q. 4 Does roundel design evolve over time? Q. 5 Who commissioned them? 43:43 map 46:08 Dimensions of chests 47:43 Two chests 48:46 West Sussex and North-east Kent, 1st half 14th century Joan Thirsk, The Agrarian History of England and Wales, 1988, p.183 49:34 Population density and town sizes, 1290 B.M.S. Campbell, The Great Transition, CUP, 2016, p.63 More information http://www.regionalfurnituresociety.org Please send questions and feedback to: C.G.Pickvance@kent.ac.uk
Noah Smith, RFS Research in Progress 6 Courtrai chest New College, Oxford Iconography & Materiality
Noah Smith (Scouloudi Fellow, Institute for Historical Research), ‘The ‘Courtrai chest’ at New College, Oxford: Iconography and Materiality’. This controversial chest, a focus of Noah’s research on Flemish medieval art, has been viewed both as a fake and a Belgian national treasure. This paper will explore the material and art historical aspects of the chest, addressing its potential provenance and suggesting a new iconographic reading of its frontispiece. 1:45 start 3:11 New College Warden Archibald Spooner found it in 1905 in Stanton St John early c14 wood carving and c17 reconstruction 3:26 frontispiece 100 cm x 71 cm carved shortly after Battle of the Golden Spurs 1302 backpiece likely also original rest c17; Hayter account of acquisition from William Harris not substantiated as accurate by college minutes 5:48 1912 published by Aymer Vallance in The Burlington Magazine Ffoulkes, Charles (July 1912). “Carved Chest at New College, Oxford” ‘stylistically 14th c’; Battle of the Golden Spurs and goedendag identified 7:12 in 1952 claims of fakery in Belgium; in 1977 college thought of selling; was examined in Belgium, authenticity questioned; 9:06 John Fletcher dendro upper plank 970 1243 lower 983 1216, later confirmed but possibly as late as 1420 10:52 interior 11:30 Filippe de Potter Didier Dumolin 2002 reconstruction 12:08 iron cross straps – may be part of hidden compartment – was it a diplomatic gift – no evidence 14:30 cf Harty, Isle of Sheppey tilting chest 133 x 76 x 68 cms body straight close grained Baltic oak cleft or quarter sawn Scott Robertson 1876 dates it to mid c14 iconographically Noah Smith thinks late c14 early c15 17:38 stylistically charging knights are similar, also helmets; 19:46 cf York Minster chest late c14 all 3 Flanders imports similar construction cutting and locks 22:04 Count Guy of Dampierre, imprisoned by Philip IV, for overtures to Edward I; unrest against French rule; Bruges Matins massacre May 1302; 25:12 Courtrai Flemish Guilds defeated French army 26:16 iconographical program Guy of Dampierre, also called Guy of Namur William of Jülich and goedendag are shown; 27:17 3 aldermen offer key; pun on chest lock key 28:45 Annales Gandenses beheadings 30:08 robed monk blessing bowed soldiers, flags of craft guilds many goedendag 31:17 Courtrai castle 31:44 Flemish militia in combat – pikemen crossbowmen looting 32:18 identity chronology and morality are the theme 5 guilds identified; just and righteous Flemish intervention against French oppression; 33:21 dendro window 1280 to 1420; possibly chest older than battle and carved later; depth and breadth of carving severely weakened the chest and led to reconstruction 300 years later; must have been in Stanton St John after 1305; in Harris family since ?1593 when they came to Stanton St John; 36:55 map; domestic context more likely than diplomatic; c14 led to many Flemish weavers coming across the Channel 38:56 conclusion
Rachel Sycamore – RFS Research in Progress 7 Dug-out Church Chests in Herefordshire & Worcestershire
Rachel Sycamore (MRes student in Medieval Archaeology, Worcester University), ‘Dug-out Church Chests in Herefordshire and Worcestershire’. Rachel is in the third and final year of her Master’s degree. Her research focuses on dug-out church chests and has used dendrochronology to date four in the two counties so far. Her paper discusses the construction methods, ironwork and physical characteristics of examples, comparing and contrasting those which have been dated 0:42 start; 4 chests recently dated by dendro; chest 1 did not have enough growth rings; 2:27 definition; Foy chest must have been hoist in; hollowed, heavy, tend to split, capacity limited, large tree needed 4:14 used for valuables and alms; Waterford vestment, used for altar cloths, plate, documents, relics, books, money for Crusades or poor; 1199 edict for trunks with 3 locks; other edicts later; none yet in secular use 6:14 style dating unreliable; can’t know when ironwork fitted; need 50 good rings for dendro; only 6 chests dendro dated pre current research; 4 of 6 current chests yielded dates 7:52 lids made either by riving (cleaving or splitting) or trestle sawing 1425-1436 Chinnery 1979 riving; straight sawing; quarter sawing – maximum no of stable boards 10:44 Herefordshire 14 dug-outs, 11% of 132 chests found; Worcestershire 13 dug-outs, 16% of 80 chests found; 12:14 map; St Mary’s Foy St Michael and All Angels’ Kingstone; dug-outs are in rural areas not market towns; 13:21 Kingstone chest 260 x 49 x 48 cms, rebated lids, strap hinges, double ended fleur de lis straps for bracing 15:50 interior divided by oak inset, staples for sliding bolt lock; 17:13 six locks in total, stamped pattern on keyhole guards rh plate is upside down, central hasp with square and cross and staple; forged vs stamped (later) straps; 20:50 end of chest growth rings LH end saw kerf marks visible, ascribed to c13 in the past; dendro 1243 to 1273 felling year 22:32 St George’s Orleton two chests, one of which can be dated 191 x 54 x 57 cms, pin hinged shape straps, 3 lid hinges with bifurcated terminals, 3 vertical straps with heraldic fleur de lis inserts; cf Westminster Abbey clamped chest dendro 1271 to 1287; LH bottom end has been given a cut away ridge ? to fit a step? 25:43 LH end split-curl hinge and keyhole in lid, split-curl strap with heraldic fleur de lis; lid is tapered, possibly because riven; 27:29 interior adze marks on underside of lid; key hole and scar of lock; hasps cut in to front; old dating c13 but felling dates 1347 to 1377 (Moir 2020) which makes it 100 years later; 29:42 scaled drawing Orleton II 30:13 St John the Baptist Feckenham E Worcestershire rural again, away form towns 30:58 236 x 53 x 500 cms, overlapping lids in centre – sole occurrence RH lid can only be open if LH lid is up; lids later than base; 4 lock plates 1 L 3 R; 4 vertical straps w double end fleur de lis; each lid has 2 strap hinges which have different fleur de lis from the hasp strap types; 34:10 3 lock plates one with date stamp ‘Birm 1827’ in new timber inserted in front with straps applied over; 35:14 end view lids are tangentially sawn so no good for dendro as not enough growth rings and probably later; base dendro date was 1435 to 1465; 36:39 St Lawrence Lindridge NW Worcestershire; 37:17 129 x 49 x 44 cms 3 looped hasps 2 in old hasp scars and staples; single lid no rebate 38:21 interior with toys, sloping sides to cavity; exterior has been painted 39:26 LH end lid and base match rings; dendro dated to 1519 to 1549; 40:34 summary side of Kingston 1243-1273; Orleton II 1347-1377; Feckenham 1435-1465; Lindridge 1519-1549; samples all match local chronologies so wood local; earliest most elaborate but some replacements; latest simplest; pre Norman to post Reformation; 42:45 bibliography 43:36 Nick Humphrey conclusion and Q&A
The History of Dutch Painted Furniture: Hans Piena, Conservator, Holland Open Air Museum
Hans Piena, Conservator, Nederlands Openluchtmuseum (Holland Open Air Museum): The History of Dutch Painted Furniture 7 April 2021 – 00:56 17 years’ study – 1:31 Cabinet on stand 1700-1740 – 3:03 softwood not oak, few joints, nailed – 3:57 hand saw kerf marks 4:30 17th century windmill wood saw kerf marks – 5:08 scrub plane – 5:27 hardware – chronology of hinges, pivots, early hand-forged, later machined – 7:12 backspring locks, early back plates hand-forged trapezoidal with snap bolts, later back plates prefabricated square bolts with key and spring – 8:32 mahogany wood graining cross section pigmented and varnished 9:38 overpainting common 10:16 Witwerkers (“White (wood) workers”) were not farmers and fishermen; they were peddlers of wooden objects in cities; competition to cabinet makers – 11:33 17th century Amsterdam Dordrecht Rotterdam Haarlem Utrecht Leiden 18th century Middelburg Zaandam Hoorn Alkmaar Vlissingen Leeuwarden Kampen Joure 12:34 Guilds map 13:18 Guild regulations softwood only, painted, (no glue or joints in Belgium but not in Holland) (cabinetmakers monopoly of oak) 14:27 Masterpieces were cabinet and tea table 15:07 Cabinet 1660-1700 Collection Antiek d’Eglantier – 15:42 paint recipes including amber 16:13 759 archive records of 476 master witwerkers in Amsterdam – 17:09 1788 Witwerker guild shop by Herman Schouten 17:59 Noordermarkt Amsterdam 1775 rococo or marbled 18:34 Nieuwmarkt with the St Anthoniswaag Isaak Ouwater 1787 second hand 19:13 distribution maps by shuttle boats centred on Rotterdam and Amsterdam 20:59 Frans Dircksz Sluijter 1706-20 Account Book 22:17 tray and three corner cupboards 22:31 14 years’ accounts 6,658 records of 11,685 pieces 4 work benches 90,000 to 100,000 pieces per year 23:37 Frans Dircksz Sluijter distribution map. 24:06 Cabinet 1640-1680 24:33 Sijbrant Schellinger & Jenneken ter Borch Gesina ter Borch 1669 Rijksprentenkabinet potty chair 25:08 Dolls potty chair 1740 25:23 Glass of lemonade Gerard tea Borch 25:38 Serving table 1680-1720 25:50 Interior of Jacob Cats, Amsterdam 1769-1770 26:18 Gateleg table 26:26 Afternoon tea 1715-1720 V&A 27:05 snap top tea table with bird cage Zuiderzeemuseum with biblical scene 27:50 Entry into Jerusalem tea tray and source print 28:20 Corner cabinet with toddler and corner cabinet 28:36 Corner cabinet Manor house Ionica aan de Amstel 28:51 Cylinder desk Carel Breytspraak Royal Palace Amsterdam 1808 for Louis Napoléon Bonaparte 29:31 Cylinder desk 1825-1840 oak and brass; votes for literate unimprisoned tax payers gave appearance of literacy a social value 30:55 ‘Cylinder desk’ 1860 to 1880 which is actually a store cupboard for dishes and pulses and grains 31:34 ‘Cylinder desk’ which is a peat bin 1860 – 1880 32:05 interior with peat box Doornspijk 1910 32:30 Jacobus Alberti 1763-1836 Notary and Mayor of Krommenie at baize table 33:08 Authenticity; overpainting; beautified; combination of older pieces; re-used floor boards; stripped with Na-OH sodium hydroxide; new and faked 34:51 Gateleg table with re-painted border over Prussian blue shown in cross section 35:52 Chest of Drawers with scene from Rembrandt of many layers 36:39 copy of landscape with Stone bridge Rembrandt van Rijn 1638 37:13 expensive 1940s acquired “17th century” miniature cabinet which is a fake with apparently 1628 bible prints from Cornelis van Sichem 38:13 painted on top of windmill saw kerf marks – not authentic 38:50 bevelled edge re-used door frame with tinplate and wire nails 39:19 pencil lines later than 1820 and ink stains on old varnish 39:59 wire nails after 1860 40:12 unoxidised linseed oil 40:45 titanium white is post 1920 41:31 fake cabinets Ameland Workum Zaanstreek not 17th century 41:52 Cradle Hindeloopen “18th century” 42:28 Expensive Print book Historie des Ouden en Nieuwen Testaments Amsterdam Pieter Mortier 1700 43:07 turns out it is Scottish via Bill Cotton’s Scottish Vernacular Furniture 44:13 Hindeloopen or Scotloopen culture