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Victor Chinnery’s library in forthcoming sale
Members may be interested to know that a large collection of Victor Chinnery’s books are about to be sold at auction on 11 August 2021 at Dominic Winter Auctions.

an Chinnery writes that the lots include “various oak catalogues and booklets such as Yorkshire Churches by Anthony Wells Coles. There are Victor’s personal catalogues of most of the major oak sales, including Littlecott, Rooksnest, Rous Lench etc; hardback copies of most of the major oak books as well as many books on American, Welsh and Irish furniture. There are two copies of Toby Jellinek’s book, I seem to remember there was a member of the society that had been looking for a copy. Also books on treen, pottery, wallpapers etc.”
Lot 193 includes:
Jellinek (Tobias). Early British Chairs And Seats 1500 To 1700, 1st edition, Suffolk: Antique Collectors’ Club, 2009 (2 copies), numerous colour illustrations, original cloth in dust wrapper, large 4to, together with:
White (George). English Lantern Clocks, 1st edition, Suffolk: Antique Collectors’ Club, 1989, numerous colour and black & white illustrations, original blue cloth gilt in dust wrapper, large 4to, plus:
Lanmon (Dwight P.). The Golden Age of English Glass 1650-1775, Antique Collectors’ Club, 2011, numerous colour and monochrome illustrations, original black cloth gilt in dust wrapper, 4to, and other Antique Collectors’ Club publications
Victor Chinnery, Oak Furniture, The British Tradition, 1979, (the author’s personal copy, inscribed by him to title and dated 1st July 1986),
Charles Tracy, Continental Church Furniture In England, A Traffic In Piety, 2001,
Adam Bowett, English Furniture 1660-1714, From Charles II to Queen Anne, 2002,
David Knell, English Country Furniture The Vernacular Tradition 1500-1900, 2nd edition, 2000, and
Ellis Waterhouse, The Dictionary of 16th & 17th Century British Painters, 1988), all original cloth in dust wrappers, 4to, generally VG
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 316:
Grigsby (Leslie B.). The Longridge Collection of English Slipware and Delftware, with contributions by Michael Archer, etc., 2 volumes, Jonathan Horne Publications, 2000, numerous colour illustrations, original brown cloth in dust wrappers, with publisher’s cloth slipcase, 4to, VG, together with:
Lipski (Louis L.), Dated English Delftware, Tin-glazed Earthenware 1600-1800, edited and augmented by Michael Archer, 1st edition, Sotheby, 1984, some colour plates, numerous monochrome illustrations, original dark blue cloth gilt in dust wrapper, 4to, limited edition 716/1000, additionally signed by Victor Chinnery and dated 1984 to title, plus:
Archer (Michael). Delftware, The Tin-glazed Earthenware of the British Isles, A Catalogue of the Collection in the Victoria & Albert Museum, 1st edition, V&A Museum/Stationery Office, 1997, numerous colour and monochrome illustrations, original blue cloth gilt in dust wrapper, with matching slipcase, thick 4to, and:
Gaimster (David). German Stoneware 1200-1900, Archaeology and Cultural History, British Museum, 1997, numerous colour and monochrome illustrations, original black cloth gilt in dust wrapper, 4to, plus other ceramics reference, including
Ronald G. Cooper, English Slipware Dishes 1650-1850,
Alec Tiranti, 1968,
Leonard N. Amico, Bernard Palissy, In Search of Earthly Paradise, Flammarion, 1996,
Frank Britton, London Delftware, Jonathan Horn, 1987,
David Gaimster and Mark Redknap, editors, Everyday and Exotic Pottery from Europe c. 650-1900, Studies in honour of John G. Hurst, Oxbow Books, 1992,
John G. Hurst, David S. Neal, & H.J.E. Van Beuningen, Pottery Produced and Traded in North-west Europe 1350-1650 (Rotterdam Papers VI), 1986, related auction catalogues, including The Longridge Collection, 6 volumes, Christie’s, 2010-11, etc. (approximately 30)
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 363:
Cheetham (Francis). English Medieval Alabasters, with a catalogue of the collection in the Victoria & Albert Museum, 1st edition, Oxford, Phaidon/Christie’s, 1984, some colour and numerous monochrome illustrations, original cloth gilt in dust wrapper, 4to, VG, together with:
Tracy (Charles). English Gothic Choir-Stalls 1200-1400, 1st edition, Boydell Press, 1987, monochrome illustrations, original brown cloth gilt in dust wrapper, 4to, plus:
Jervis (Simon Swynfen). British and Irish Inventories, A List and Bibliography of Published Transcriptions of Secular Inventories, 1st edition, Furniture History Society, 2010, original maroon cloth gilt in dust wrapper, 8vo, VG, and:
Chinnery (Victor). Oak Furniture, The British Tradition, 1st edition, reprinted Antique Collectors’ Club, 1986, some colour and numerous monochrome illustrations, original brown cloth gilt in frayed and torn dust wrapper, with some loss, 4to, plus other furniture and art reference and related, including
Pride and Joy, Children’s Portraits in the Netherlands 1500-1700, edited by Jan Baptist Bedaux & Rudi Ekkart, Amsterdam, 2000,
Marta Ajmar-Wollheim and Flora Dennis (editors), At Home in Renaissance Italy, 1st edition, V&A Publications, 2006, Frances Gruber Safford, American Furniture in the Metropolitan Museum of Art, I. Early Colonial Period, The Seventeenth-Century and Wiliam and Mary Styles, New York, 2007,
Francis Haskell & Nicholas Penny, Taste and the Antique, Yale University Press, 1981,
Thomas Crispin, The English Windsor Chair, 1st edition, Alan Sutton, 1992, etc., including related auction catalogues, all 20th century publications, 4to/8vo (approximately 100 volumes)
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 362:
Bebb (Richard). Welsh Furniture 1250-1950 A Cultural History of Craftsmanship and Design, 2 volumes, 1st edition, 2007, numerous colour & monochrome illustrations, inscribed by the author to Victor Chinnery to front endpaper ‘To Vic with best wishes Richard Bebb, July 2007’, original brown cloth gilt in dust jackets, with slipcase, 4to, VG, together with:
Shaw (Henry). Specimens of Ancient Furniture drawn from existing authorities, with descriptions by Sir Samuel Rush Meyrick, 1st edition, London: William Pickering, 1836, 74 engraved plates, a few minor marks, bookplate of Fitz Patrick of Grantstown Manor, Queen’s County to front pastedown, original blue-green cloth, with title label to spine, some marks, 4to, plus:
Forman (Benno M.). American Seating Furniture 1630-1830, An Interpretive Catalogue, New York, 1988, numerous monochrome plates and illustrations, original dark blue cloth gilt in dust wrapper, 4to, and other furniture reference and related, including
Robert Ashley, The Rushlight and Related Holders, A Regional View, Ashley Publications, 2001, (inscribed by the author to Victor Chinnery to title),
Claudia Kinmonth, Irish Country Furniture 1700-1950, Yale University Press, 1993, (signed by the author to title), Victor Chinnery, Names for Things, a description of household stuff, furniture and interiors 1500-1700, edited by Jan Chinnery, 2016,
Charles Hasler, The Royal Arms, Its Graphic and Decorative Development, 1980,
Richard Suggett, Houses & History in the March of Wales, Radnorshire 1400-1800 (Royal Commission on the Ancient and Historical Monuments of Wales), reprinted 2006,
Eurwyn Wiliam, The Welsh Cottage, Building Traditions of the Rural Poor, 1750-1900 (Royal Commission on the Ancient and Historical Monuments of Wales), 2010,
P. Smith, Houses of the Welsh Countryside, 2nd enlarged edition, HMSO, 1988, Wiltshire Records Society, Marlborough Probate Invetories 1591-1775, 2007,
Robert Tarule, The Artisan of Ipswich, Craftsmanship and Community in Colonial New England, 2004 (author’s presentation copy to Victor Chinnery),
Society for Post-Medieval Archaeology, West Country Households 1500-1700, edited by John Allan, Nat Alcock and David Dawson, Boydell Press, 2015,
Medieval Ireland, The Barryscourt Lectures I-X, 2004,
Percy Macquoid, A History of English Furniture, 4 volumes, etc., 4to/8vo (approximately 80 volumes)
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 365:
Croft-Murray (Edward). Decorative Painting in England 1537-1837, volume I, Early Tudor to Sir James Thornhill, 1st edition, Country Life, 1962, monochrome plates, original orange-red cloth gilt in dust wrapper, price-clipped, large 4to, together with:
Harris (John). The Artist and the Country House, A History of Country House and Garden View Painting in Britain 1540-1870, 1st edition, Sotheby, 1979, some colour and numerous monochrome plates and illustrations, original green cloth gilt in dust wrapper, large square 4to, plus:
Starkey (David, editor). The Inventory of King Henry VIII, Society of Antiquaries MS 129 and British Library MS Harley 1419, 1st edition, Harvey Miller Publishers for The Society of Antiquaries of London, 1998, original maroon cloth gilt in dust wrapper, 4to, and:
Worsley (Giles). Inigo Jones and the European Classicist Tradition, Yale University Press, 2007, colour & monochrome illustrations, original cloth in dust wrapper, 4to, plus others related on English architecture, country houses, interiors, etc., including
John Cornforth, The Search for a Style, Country Life and Architecture 1897-1935, 1st edition, 1988,
Anthony Wells-Cole, Art and Decoration in Elizabethan and Jacobean England, The Influence of Continental Prints 1558-1625, Yale University Press, 1997, etc., mostly original cloth, many in dust wrappers, 4to/8vo (approximately 75 volumes)
Barryscourt Trust, Medieval Ireland, The Barryscourt Lectures I-X, 1st edition, Co Cork, 2004, colour & monochrome illustrations, original cloth in dust jacket, 8vo, plus other decorative art & interiors reference including publications by Yale, Antique Collectors’ Club, Cornell University Press, V&A, H.M.S.O., many original cloth in dust jackets, some paperback editions, G/VG, 8vo/folio
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 193 includes:
Jellinek (Tobias). Early British Chairs And Seats 1500 To 1700, 1st edition, Suffolk: Antique Collectors’ Club, 2009 (2 copies), numerous colour illustrations, original cloth in dust wrapper, large 4to, together with:
White (George). English Lantern Clocks, 1st edition, Suffolk: Antique Collectors’ Club, 1989, numerous colour and black & white illustrations, original blue cloth gilt in dust wrapper, large 4to, plus:
Lanmon (Dwight P.). The Golden Age of English Glass 1650-1775, Antique Collectors’ Club, 2011, numerous colour and monochrome illustrations, original black cloth gilt in dust wrapper, 4to, and other Antique Collectors’ Club publications
Victor Chinnery, Oak Furniture, The British Tradition, 1979, (the author’s personal copy, inscribed by him to title and dated 1st July 1986),
Charles Tracy, Continental Church Furniture In England, A Traffic In Piety, 2001,
Adam Bowett, English Furniture 1660-1714, From Charles II to Queen Anne, 2002,
David Knell, English Country Furniture The Vernacular Tradition 1500-1900, 2nd edition, 2000, and
Ellis Waterhouse, The Dictionary of 16th & 17th Century British Painters, 1988), all original cloth in dust wrappers, 4to, generally VG
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 316:
Grigsby (Leslie B.). The Longridge Collection of English Slipware and Delftware, with contributions by Michael Archer, etc., 2 volumes, Jonathan Horne Publications, 2000, numerous colour illustrations, original brown cloth in dust wrappers, with publisher’s cloth slipcase, 4to, VG, together with:
Lipski (Louis L.), Dated English Delftware, Tin-glazed Earthenware 1600-1800, edited and augmented by Michael Archer, 1st edition, Sotheby, 1984, some colour plates, numerous monochrome illustrations, original dark blue cloth gilt in dust wrapper, 4to, limited edition 716/1000, additionally signed by Victor Chinnery and dated 1984 to title, plus:
Archer (Michael). Delftware, The Tin-glazed Earthenware of the British Isles, A Catalogue of the Collection in the Victoria & Albert Museum, 1st edition, V&A Museum/Stationery Office, 1997, numerous colour and monochrome illustrations, original blue cloth gilt in dust wrapper, with matching slipcase, thick 4to, and:
Gaimster (David). German Stoneware 1200-1900, Archaeology and Cultural History, British Museum, 1997, numerous colour and monochrome illustrations, original black cloth gilt in dust wrapper, 4to, plus other ceramics reference, including
Ronald G. Cooper, English Slipware Dishes 1650-1850,
Alec Tiranti, 1968,
Leonard N. Amico, Bernard Palissy, In Search of Earthly Paradise, Flammarion, 1996,
Frank Britton, London Delftware, Jonathan Horn, 1987,
David Gaimster and Mark Redknap, editors, Everyday and Exotic Pottery from Europe c. 650-1900, Studies in honour of John G. Hurst, Oxbow Books, 1992,
John G. Hurst, David S. Neal, & H.J.E. Van Beuningen, Pottery Produced and Traded in North-west Europe 1350-1650 (Rotterdam Papers VI), 1986, related auction catalogues, including The Longridge Collection, 6 volumes, Christie’s, 2010-11, etc. (approximately 30)
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 363:
Cheetham (Francis). English Medieval Alabasters, with a catalogue of the collection in the Victoria & Albert Museum, 1st edition, Oxford, Phaidon/Christie’s, 1984, some colour and numerous monochrome illustrations, original cloth gilt in dust wrapper, 4to, VG, together with:
Tracy (Charles). English Gothic Choir-Stalls 1200-1400, 1st edition, Boydell Press, 1987, monochrome illustrations, original brown cloth gilt in dust wrapper, 4to, plus:
Jervis (Simon Swynfen). British and Irish Inventories, A List and Bibliography of Published Transcriptions of Secular Inventories, 1st edition, Furniture History Society, 2010, original maroon cloth gilt in dust wrapper, 8vo, VG, and:
Chinnery (Victor). Oak Furniture, The British Tradition, 1st edition, reprinted Antique Collectors’ Club, 1986, some colour and numerous monochrome illustrations, original brown cloth gilt in frayed and torn dust wrapper, with some loss, 4to, plus other furniture and art reference and related, including
Pride and Joy, Children’s Portraits in the Netherlands 1500-1700, edited by Jan Baptist Bedaux & Rudi Ekkart, Amsterdam, 2000,
Marta Ajmar-Wollheim and Flora Dennis (editors), At Home in Renaissance Italy, 1st edition, V&A Publications, 2006, Frances Gruber Safford, American Furniture in the Metropolitan Museum of Art, I. Early Colonial Period, The Seventeenth-Century and Wiliam and Mary Styles, New York, 2007,
Francis Haskell & Nicholas Penny, Taste and the Antique, Yale University Press, 1981,
Thomas Crispin, The English Windsor Chair, 1st edition, Alan Sutton, 1992, etc., including related auction catalogues, all 20th century publications, 4to/8vo (approximately 100 volumes)
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 362:
Bebb (Richard). Welsh Furniture 1250-1950 A Cultural History of Craftsmanship and Design, 2 volumes, 1st edition, 2007, numerous colour & monochrome illustrations, inscribed by the author to Victor Chinnery to front endpaper ‘To Vic with best wishes Richard Bebb, July 2007’, original brown cloth gilt in dust jackets, with slipcase, 4to, VG, together with:
Shaw (Henry). Specimens of Ancient Furniture drawn from existing authorities, with descriptions by Sir Samuel Rush Meyrick, 1st edition, London: William Pickering, 1836, 74 engraved plates, a few minor marks, bookplate of Fitz Patrick of Grantstown Manor, Queen’s County to front pastedown, original blue-green cloth, with title label to spine, some marks, 4to, plus:
Forman (Benno M.). American Seating Furniture 1630-1830, An Interpretive Catalogue, New York, 1988, numerous monochrome plates and illustrations, original dark blue cloth gilt in dust wrapper, 4to, and other furniture reference and related, including
Robert Ashley, The Rushlight and Related Holders, A Regional View, Ashley Publications, 2001, (inscribed by the author to Victor Chinnery to title),
Claudia Kinmonth, Irish Country Furniture 1700-1950, Yale University Press, 1993, (signed by the author to title), Victor Chinnery, Names for Things, a description of household stuff, furniture and interiors 1500-1700, edited by Jan Chinnery, 2016,
Charles Hasler, The Royal Arms, Its Graphic and Decorative Development, 1980,
Richard Suggett, Houses & History in the March of Wales, Radnorshire 1400-1800 (Royal Commission on the Ancient and Historical Monuments of Wales), reprinted 2006,
Eurwyn Wiliam, The Welsh Cottage, Building Traditions of the Rural Poor, 1750-1900 (Royal Commission on the Ancient and Historical Monuments of Wales), 2010,
P. Smith, Houses of the Welsh Countryside, 2nd enlarged edition, HMSO, 1988, Wiltshire Records Society, Marlborough Probate Invetories 1591-1775, 2007,
Robert Tarule, The Artisan of Ipswich, Craftsmanship and Community in Colonial New England, 2004 (author’s presentation copy to Victor Chinnery),
Society for Post-Medieval Archaeology, West Country Households 1500-1700, edited by John Allan, Nat Alcock and David Dawson, Boydell Press, 2015,
Medieval Ireland, The Barryscourt Lectures I-X, 2004,
Percy Macquoid, A History of English Furniture, 4 volumes, etc., 4to/8vo (approximately 80 volumes)
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
Lot 365:
Croft-Murray (Edward). Decorative Painting in England 1537-1837, volume I, Early Tudor to Sir James Thornhill, 1st edition, Country Life, 1962, monochrome plates, original orange-red cloth gilt in dust wrapper, price-clipped, large 4to, together with:
Harris (John). The Artist and the Country House, A History of Country House and Garden View Painting in Britain 1540-1870, 1st edition, Sotheby, 1979, some colour and numerous monochrome plates and illustrations, original green cloth gilt in dust wrapper, large square 4to, plus:
Starkey (David, editor). The Inventory of King Henry VIII, Society of Antiquaries MS 129 and British Library MS Harley 1419, 1st edition, Harvey Miller Publishers for The Society of Antiquaries of London, 1998, original maroon cloth gilt in dust wrapper, 4to, and:
Worsley (Giles). Inigo Jones and the European Classicist Tradition, Yale University Press, 2007, colour & monochrome illustrations, original cloth in dust wrapper, 4to, plus others related on English architecture, country houses, interiors, etc., including
John Cornforth, The Search for a Style, Country Life and Architecture 1897-1935, 1st edition, 1988,
Anthony Wells-Cole, Art and Decoration in Elizabethan and Jacobean England, The Influence of Continental Prints 1558-1625, Yale University Press, 1997, etc., mostly original cloth, many in dust wrappers, 4to/8vo (approximately 75 volumes)
Barryscourt Trust, Medieval Ireland, The Barryscourt Lectures I-X, 1st edition, Co Cork, 2004, colour & monochrome illustrations, original cloth in dust jacket, 8vo, plus other decorative art & interiors reference including publications by Yale, Antique Collectors’ Club, Cornell University Press, V&A, H.M.S.O., many original cloth in dust jackets, some paperback editions, G/VG, 8vo/folio
Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.
In Sparkling Company: 18th-Century British Glass and Recreating the Northumberland House Drawing Room
The FHS have kindly sent us an invitation to a forthcoming talk:
The Furniture History Society invites you to a free-to-members online lecture
‘In Sparkling Company: 18th-Century British Glass and Recreating the Northumberland House Drawing Room’
by
Dr Christopher Maxwell and Mandy Kritzeck, The Corning Museum of Glass, New York State
Sunday, 20 June 2021, 19:00 (BST)
Regional Furniture Society: Notice of Annual General Meeting 2021
While we are confident that the Annual Conference will go ahead in Lincolnshire in June, fewer have understandably applied this year and as we revive last year’s arrangements, there may be formal restrictions on numbers allowed at some venues. It all points to a need for flexibility in the Conference programme.
To simplify matters, we have decided to hold the AGM by Zoom again this year. It means we can go ahead regardless of any Conference constraints. Whether this is repeated will depend on members’ preferences on AGM format for the future.
The Annual General Meeting of the Regional Furniture Society will be held by Zoom at 6:30 p.m. on Monday 14 June.
Members who have supplied their email address to Di Halliwell Membership Secretary will receive a personal email notification giving Zoom details and attaching the Agenda and the Minutes of the last AGM and the Annual Report and Accounts for 2020.
Members who have not yet provided their email address and who wish to take part in the AGM should email the Secretary on: justj2r2@gmail.com
The Secretary will then forward to those members the access code for the Zoom meeting and the Agenda and the Minutes of the last AGM and the Annual Report & Accounts for 2020.
The Annual Report and Accounts for 2020 are also available on the website; any member requiring a paper version should send an A4 self-addressed envelope to the Secretary, requesting a copy.
Jeremy Rycroft
Secretary
From Revival to Reform – BIFMO/FHS event
BIFMO-FHS is running a short online course about nineteenth century furniture next Wednesday 21 April 2021 entitled
‘From Revival to Reform’. The event will run from 4pm – 7pm(BST) and will comprise five presentations which are as follows:
Dr Megan Aldrich – Setting the Stage for British Furniture in the Nineteenth century
Dr Sydney Ayers – Wright & Mansfield: The Adam Revival in Furniture and Interiors
Christopher Payne – Examining contemporary sources: The Furniture Gazette 1872-1896.
Helena Pickup – Useful and Beautiful: The furniture of William Morris
Matthew Winterbottom – William Burges’s Great Bookcase in the Ashmolean Museum, Oxford.
Tickets via Eventbrite: for more details please see the Furniture History Society website


The History of Dutch Painted Furniture: 7 April 2021 at 6 p.m: now on RFS YouTube channel
The Regional Furniture Society was delighted to present a Zoom lecture by Hans Piena, Conservator of the Dutch Open Air Museum, Arnhem on Wednesday, 7th April at 18:00 hrs GMT on ‘The History of Dutch Painted Furniture. The lecture is now available on the RFS YouTube channel.
Hans is well-known to members of the Regional Furniture Society. He recently joined our Shropshire conference where he delivered a fascinating talk on the history of Dutch rush-seated chairs, but we first met at Arnhem on our study tour of Dutch painted furniture in 2001.
His new 50 minute presentation, recently delivered at The Rijksmuseum, is the result of his 14 years of research since our visit. It covers the history of Dutch painted furniture which was produced by members of guilds known as ‘witwerkers’. ‘Wit’, meaning white, refers to the pieces in their initial unpainted state. Witwerkers developed great skill in decorating these pieces in faux exotic veneers or with painted stories from the Bible, in imitation of a host of fashionable hardwood items such as cabinets, wardrobes, chests of drawers and tables. It is usually assumed that painted furniture was a rural craft, but Hans will explain that witwerkers emerged in the cities – the first witwerkers’ guild founded in Amsterdam in the early seventeenth century. During the course of the seventeenth century, the influx of immigrants and rise of the middle classes led to a boom in the market for inexpensive painted furniture and the development of a marketing and distribution network into the distant reaches of the Netherlands and overseas as far as Russia and beyond, including, of course, those bow corner cabinets to England that are so familiar. Witwerk evolved to reflect the changes of the finest furniture through the late 18th and early 19th century, sometimes with humorous consequences.
Research in Progress: New Thinking about Medieval Furniture 13 March 2021 via Zoom
The latest meeting in the series of Research in Progress took place on 13 March 2021 via Zoom. As with the previous two themed meetings, (Sixteenth-century Furniture and The Regional Chair), speakers presented current research from a variety of perspectives. The sessions may be viewed on the RFS YouTube channel.
Programme
10.00 Introduction (Liz Hancock, RFS Newsletter Editor)
Morning session (Chair: Chris Pickvance)
10.15. Agnès Bos (University of St Andrews) ‘A Reappraisal of the ‘Medieval’ Arconati-Visconti Dressoir at the Louvre’) Agnès Bos is a Lecturer in Art History at the University of St Andrews. She was a curator at the Louvre from 2006 to 2016 specialising in decorative arts from the late middle ages to the 17th century, with a focus on furniture, tapestries and textiles. In 2019 she published the catalogue raisonné of the Medieval and Renaissance furniture of the Louvre. For her articles see Agnès Bos | University of St Andrews – Academia.edu
11.00 Cécile Lagane (Centre Michel de Boüard /CRAHAM, Caen), ‘Evolution and Transformation of Furniture in its Architectural Environment: the Armoires of Bayeux (Normandy) and Aubazine (Limousin)’. Cécile’s doctoral thesis on Medieval furniture and furnishings from 500-1300 will be published shortly. For her articles see www.academia.edu
11.45 Discussion
12.00 Nick Humphrey (Furniture, Textiles and Fashion Dept., Victoria and Albert Museum,
London), ‘A Fifteenth-century Desk-cupboard at the Victoria and Albert Museum’. Nick is the curator responsible for pre-1700 furniture, woodwork and leatherwork and was involved in creating the British Galleries (2001), the Medieval and Renaissance galleries (2009), the Dr Susan Weber (Furniture) Gallery (2012), and the Europe galleries 1600-1815 (2015). His most recent publication revisits the museum’s most famous piece of furniture, the Great Bed of Ware; current research includes cypress wood chests and Latin-American lacquer.
12.45 Jens Kremb (Independent scholar, Bonn), ‘The Chest of Drawers: a Late Medieval Piece of Furniture?’ His doctoral thesis about painted tabletops in the late Middle Ages, was published as Bemalte Tischplatten des Spätmittelalters (Böhlau Verlag, 2015). He has created a research initiative on medieval furniture (www.inimm.de) and his articles are on www.jkremb.academia.edu
1.30 Discussion
1.45 Break
Afternoon session (Chair: Nick Humphrey)
2.15 Chris Pickvance (Chairman, RFS), ‘A Closer Look at a Group of English Clamped Chests from 1250-1350: Timber, Construction and Decoration’. Chris has been researching medieval chests for over ten years using dendrochronology. His articles have appeared in Regional Furniture, The Antiquaries Journal and archaeological journals; see www.researchgate.net
3.00 Noah Smith (Scouloudi Fellow, Institute for Historical Research), ‘The ‘Courtrai chest’ at New College, Oxford: Iconography and Materiality’. This controversial chest, a focus of Noah’s research on Flemish medieval art, has been viewed both as a fake and a Belgian national treasure. This paper will explore the material and art historical aspects of the chest, addressing its potential provenance and suggesting a new iconographic reading of its frontispiece. Noah is in the final year of his PhD at the University of Kent, and has work forthcoming in several publications.
3.45 Rachel Sycamore (MRes student in Medieval Archaeology, Worcester University), ‘Dug-out Church Chests in Herefordshire and Worcestershire’. Rachel is in the third and final year of her Master’s degree. Her research focuses on dug-out church chests and has used dendrochronology to date four in the two counties so far. Her paper will discuss the construction methods, ironwork and physical characteristics of examples, comparing and contrasting those which have been dated.
4.30 Discussion
4.45 Close
The event was free and open to non-members after registration. The day was recorded.
Forthcoming FHS lectures

The FHS have kindly sent us a list of their forthcoming talks:
Wednesday 17 March 2021 4 p.m. to 7:30 p.m. BIFMO half-day on-line course Georgian Furniture Makers
Sunday 21 March 2021 at 7 p.m. BIFMO lecture with Amy Lim: ‘Female Patrons of Furniture in Late Stuart England’
Wednesday 24 March 2021 at 5.30 p.m. FHS seminar on ‘Pattern books, early trade catalogues and many other rarities’: the John Evan Bedford Library of Furniture History, Brotherton Library, University of Leeds
Sunday 28 March 2021 at 7 pm. FHS lecture with Adriana Turpin. ‘From Bond Street to The Breakers: Dealers and the Development of the American Market for English Eighteenth-century Furniture c. 1900-1930’
Wednesday 14 April 2021at 5.30 p.m. FHS seminar on Conservation ‘Into the Workshop: Furniture restoration/conservation’, chaired by Dr Tessa Murdoch & Yannick Chastang
Sunday 25 April 2021 at 7 p.m, FHS lecture on ‘Malachite, Lapis-Lazuli, Verre églomisé, and Marquetry: Russian Furniture at Hillwood’, Wilfried Zeisler, Curator of 19th century Art, Hillwood Estate Museum & Gardens on Hillwood’s Russian furniture
Sunday 16 May 2021 at 7 p.m. BIFMO lecture with Laura Microulis, tbc
Regional Furniture Society – Notice of Annual General Meeting 2020
National restrictions on meetings have recently been strengthened due to the resurgence of the
coronavirus; the expectation of a second wave affecting both London and certain provincial areas
means the regulations are extremely unlikely to be relaxed in time to organise a normal AGM as
intended. Our plan to hold the meeting at the Museum of the Home, announced in the Newsletter,
has therefore been thwarted.
The Council has decided the only viable option, if we are to approve our Annual Report in time for
submission to the Charity Commission, is to hold a Zoom Annual General Meeting. This will also allow
us to confirm Council Members for the next year, allowing the Society to function next year.
The Annual General Meeting of the Regional Furniture Society will be held by Zoom at 2:30 p.m. on
Saturday 24 October.
Will all members who wish to take part email the Secretary on: justj2r2@gmail.com
The Secretary will then forward to those members the access code for the Zoom meeting.
The Annual Report and Accounts for 2019 are also available on the website; any member requiring a
paper version should send an A4 self-addressed envelope to the Secretary, requesting a copy.
Jeremy Rycroft
Secretary
An agenda and any further essential details on the conduct of the meeting will be forwarded with the
Zoom access code. While every attempt will be made to allow full interaction, the technology is new
to us, so we ask members to bear with us.
The Annual Report and Accounts for the year ended 31 December 2019 may be found here.
Annual Conference, Wednesday 23rd to Sunday 27th June 2021
Updated details for the Annual Conference may be found here. The booking form may be found here.
Eve Eunson: Fair Isle Chairs on display in Da Gadderie, Lerwick
This exhibition is running from now until the end of February 2021. Please check current opening times before you plan your visit and remember booking is required.Non-RFS event: Exhibition in Glasgow: The Chair 18th Century to the Present Day
Katie Hannah of Lyon and Turnbull has invited RFS members to a private view of The Chair 18th Century to the Present Day Exhibition on 19 March 2020 at 182 Bath Street, Glasgow.
Crissie White is providing a Darvel Chair with a new maker’s stamp, an Orkney chair and via a friend a Caithness Chair. Laurance Black has offered a Scots Laburnum Chair and an Edinburgh Chair.
Please let Crissie know (crissiewhite@ntlworld.com) if you would like to attend on 19th March in Glasgow and whether you would like to meet up for lunch beforehand.
Note: the exhibition runs from 2nd to 27th March and entrance is free.
Study Day at Blair Castle , Pitlochry, Perthshire. Friday 1st November 2019
The study day will be based in the Private Library of the castle, where it will be possible to scrutinise a selection of pieces and their associated documentation in some detail.
Other furniture will be studied in situ. There will be opportunity (weather permitting) to see over the extensive rococo gardens – the most northerly in Britain.
Reminder: private visit to Oak House, West Bromwich, September 5th 2019
There are still places available for the private visit to Oak House, West Bromwich on Thursday 5 September 2019.
The Oak House Museum has a collection of fine 17th-century panelling and good oak furniture, some local, but mostly bought in the early 20th century, supplemented by items loaned from the V&A collections. Fee: £10, for members and their guests, refreshments not included.
The booking deadline has been extended to 1st September.
Please use the One day events booking form – Spring 2019 and send to the Events Secretary at events.rfs@gmail.com.
An Exhibition of Lincolnshire chairs at Alford Manor
An Exhibition of Lincolnshire chairs at Alford Manor, West St., Alford, Lincs, LN13 9HT
All are invited to this exhibition which started in April and continues until October 2019.
The exhibition includes a variety of types of chair, from early 18th century Forest chairs (the earliest form of Windsor chair) to 18th and 19th century rush-seated and Windsor chairs from the county as well as some examples of cabinet makers’ chairs. Where known, the names of the makers and places of origin of the chairs, are identified. The exhibition will be of interest to all those with an interest in regional types of chair, whether from Lincolnshire or elsewhere, including those interested in their family history who may have inherited a ‘family chair’.
The exhibition has been organised by William Sergeant who has curated two short exhibitions of Lincolnshire Chairs in recent years, and is mainly sourced from his own Museum. Such has been the success of these events that he has managed to negotiate this longer Exhibition at Alford Manor House in North East Lincolnshire.
An online catalogue was created for the items on display. Now that the exhibition has finished, the catalogue has been converted into a blog by Julian Parker and William Sergeant about Lincolnshire Windsor and rush-seated chairs; it also covers chairs from other regions which catch their eye.
Notice of RFS Annual General Meeting 2019
The 2019 Annual General Meeting of the Regional Furniture Society will be held at 9:00 a.m. on Sunday 14 July in the Regional Food Academy of Harper Adams University. It is located in Edgmond, Shropshire which is two miles west of Newport and 9 miles north of Telford.
All members are invited to attend, not just those attending the Shropshire Conference.
The Annual Report and Accounts for 2018 are available on the website on the Annual Report and Accounts page. Any member requiring a paper version should send an A4 self-addressed envelope to the Secretary requesting a copy.
Jeremy Rycroft, Secretary
The Annual Christopher Gilbert Lecture, Friday 12 July, 2019
Research in Progress 2019: The Regional Chair
The 2019 RFS Research in Progress meeting will be held at the Conway Hall, Red Lion Square, Holborn, London, on the 9 March.
This year the event will focus on the regionality of chair making, with five papers spanning the 17th, 18th and 19th centuries. Speakers will examine a variety of idiosyncratic forms, the materials used, the makers, and their customers. Traditions commence as novelties and in many cases new research is establishing the precise origins of previously identified geographical groups. The papers will draw on a variety of research methods including fieldwork, archival sources and scientific analysis.
Papers
The caqueteuse form in 17th century Scotland – Stephen Jackson
The caqueteuse form is strongly associated with Scotland and is generally considered to have been imported from France in the 16th century. However, the form was not unique to France and Scotland, and nor did it adhere to a clear formula in construction, proportion and decoration. This paper will question the circumstances of its arrival and attempt to document its evolution through the period.
Chair-making in 18th century Wakefield – Andrew Cox-Whittaker
Wakefield in the 18th Century was the metropolitan centre of the West Riding of Yorkshire, a relatively small town but one of incredible importance. Frequented by huge numbers of the gentry and middling classes, the production of furniture made in the town was to be distributed through this network to houses throughout Yorkshire and beyond. This talk looks at the tracing and recognising of Wakefield made furniture, the influence of pattern books on its design and how the series of interchanging business partnerships of the furniture trade in the town (which were to develop from the 1770s) were to change. Using archival research, early photographs and analysis of materials, we will look to see if diagnostic features can be discovered in Wakefield made chairs or whether as a whole it is simply a ‘northern’ style.
The rush-seated chair in the North West – Simon Feingold
This paper will introduce some of the most common designs found in the North West. The industrial revolution caused an influx of people into the area. The wide variety of designs found in the region often share several common features, and hopefully these will be shown to be useful in determining, or at least helping to justify, a regional provenance. An argument will be made for some possible reasons why there is such a diverse variety of designs. An attempt will also be made to discuss the differences found between the vernacular, or rather locally made chairs, and those best considered as cabinet maker’s chairs.
Making Windsor chairs in Grantham: the first fifteen years – William Sergeant
All previous authors writing on Lincolnshire Windsor chairs state that the tradition started in the Thames Valley and spread north. The speaker’s recent research can find no evidence to support that claim; indeed he has shown that the earliest recorded Windsor chair maker in the world came from a remote village in Lincolnshire. This talk will reveal how the start of the tradition in Grantham was mainly due to one lady who employed several journeymen and had four children to support.
In search of the elusive Mendlesham chair and other East Anglian Windsor chairs – Robert Williams
Drawing on documentary evidence, this paper will examine how these chairs received their name, establish who made them and their geographical extent, and ask how they were originally used.
Speakers
Stephen Jackson is Senior Curator, Furniture and Woodwork, at National Museums Scotland. His published research has addressed diverse subjects including vernacular interiors, emigrant cabinet makers in America, issues in conservation, and the patrons of Charles Rennie Mackintosh. His acquisitions for the National Museums range from the Venetian Baroque to Scottish Modernism, names such as Chippendale, Pugin and Cottier, and, all importantly, anonymous vernacular items.
Andrew Cox-Whittaker is a second generation antiques dealer. He has worked with Wilkinson’s auctioneers for nearly twenty years and with T L Phelps Fine Furniture Restoration for the last fourteen. He currently sits on the executive committee of the Chippendale Society as website editor and acting honorary conservator. He has a keen interest in regional furniture studies and has recently become an Attingham alumni. His research into Wakefield furniture has been supported with a Regional Furniture Society bursary.
Simon Feingold read chemistry and materials science at Manchester Metropolitan University and, following an apprenticeship with a professional antique restorer, established his own workshop. This eventually specialised in regional furniture conservation with an emphasis on historic finish preservation. Clients include local museums and collectors. He has continued his studies at West Dean College, the Rijksmuseum, and with Adam Bowett and Gudrun Leitz. He is an active member of the RFS and has been a keen student of North West furniture for nearly thirty years.
William Sergeant graduated from Newcastle University with an engineering degree in 1975. Several years later he returned to the family farm from where, over the last twenty years, he has been ideally placed to collect and research vernacular furniture. He is the proprietor of the Lincolnshire Chair Museum, posting images and some of his research on the FLICKR photo-sharing website. His article ‘Joseph Newton, Windsor chair maker of Fenton, Lincolnshire’ appeared in Regional Furniture, XXXII, 2018. Twitter: @willsergeant
Robert Williams, although originally trained as an antique dealer in Cambridge, has worked as a furniture conservator and restorer since 1980. His initial research was into furniture making in Cambridge, some of which was published as ‘A Cambridge Family of Furniture Makers and the Furnishing of the Masters’ Lodge, Trinity College, Cambridge’, Furniture History, XII, 1976. This research has broadened out to cover East Anglia. This has included being a regional co-ordinator for the Dictionary of English Furniture Makers (1986), for which he wrote a group of smaller biographies of East Anglia makers. His most recent work was the Introduction for the 1801 Cabinet & Chair Makers’ Norwich Book of Prices, Regional Furniture, XXX, 2016. He is a founder member of the Regional Furniture Society.
Research in Progress 2019: The Regional Chair
The 2019 RFS Research in Progress meeting will be held at the Conway Hall, Red Lion Square, Holborn, London, on Saturday 9th March.
This year the event will focus on the regionality of chair making, with five papers spanning the 17th, 18th and 19th centuries. Speakers will examine a variety of idiosyncratic forms, the materials used, the makers, and their customers. Traditions commence as novelties and in many cases new research is establishing the precise origins of previously identified geographical groups. The papers will draw on a variety of research methods including fieldwork, archival sources and scientific analysis.
- The Caqueteuse Form in 17th century Scotland – Stephen Jackson
- Chairmaking in 18th Century Wakefield – Andrew Cox-Whittaker
- The Rush-Seated Chair in the North West of England – Simon Feingold
- Windsor Chairmaking in Grantham: the first fifteen years – William Sergeant
- In Search of the Elusive Mendlesham Chair and Other East Anglian Windsor Chairs – Robert Williams
Further details about the presentations and speakers are available here on our new Research in Progress page.
The event will start at 10 for 10.30am, and will finish at 4.30pm. It is open to all. The fee is £35 for RFS members, £40 for non-members and covers attendance and tea/coffee but not lunch; there are numerous cafes and pubs nearby. To book please use the form on the Events page of the RFS website.
A number of 50% bursaries will be available (application details are available on the Grants & Bursaries page). The deadline for applications is 19th February.
Exhibition: Thinking inside the box
Members will be interested to hear about an exhibition currently on show the Bodleian’s Blackwell Hall, Weston Library in Oxford. Thinking inside the box is a display of boxes, bags, and satchels used for carrying books at different times and places – inspired by the Bodleian’s recent acquisition of a book-coffer from fifteenth century medieval Paris.
The exhibition runs until 17 February 2019, Further details are available from the Weston Library Information desk: 01865 277094 or the website: Thinking inside the box
RFS 2019 Events Update
Please note that the RFS visit to Cambridge on 13th May “Pepys Library and Kettles Yard’ is now fully booked.
With this in mind, members are reminded that the annual Research in Progress event takes place on Saturday 9 March 2019 at the Conway Hall, London. Please use the One day events booking form – Spring 2019.
This year the event will focus on the regionality of chair making, with five papers spanning the 17th, 18th and 19th centuries. Speakers will examine a variety of idiosyncratic forms, the materials used, the makers, and their customers. Traditions commence as novelties and in many cases new research is establishing the precise origins of previously identified geographical groups. The papers will draw on a variety of research methods including fieldwork, archival sources and scientific analysis.
- The Caqueteuse Form in 17th century Scotland – Stephen Jackson
- Chairmaking in 18th Century Wakefield – Andrew Cox-Whittaker
- The Rush-Seated Chair in the North West of England – Simon Feingold
- Windsor Chairmaking in Grantham: the first fifteen years – William Sergeant
- In Search of the Elusive Mendlesham Chair and Other East Anglian Windsor Chairs – Robert Williams
Further details about the presentations and speakers will available on the Research in Progress page.
The event will start at 10 am for 10.30am, and will finish at 4.30pm. It is open to all. The fee is £35 for RFS members, £40 for non-members and covers attendance and tea/coffee but not lunch; there are numerous cafes and pubs nearby.
A number of 50% bursaries will be available. Application forms are available here: Grant & Bursary application forms.
Invitation
Dates for your diary: 2019 RFS Events
Members organising their 2019 diary may wish to note the RFS Events Programme for the forthcoming Spring / Summer.
Full details and booking forms will appear in the Spring newsletter in late January.
Saturday 9 March 2019 Research in Progress: The Regional Chair, Conway Hall, Central London
Tuesday 26 March 2019 – A visit to a member’s collection in Soho, London
Monday 13 May 2019 – The Pepys Library and Kettles Yard, Cambridge
Wednesday 10 – Sunday 14 July 2019 – The Annual Conference, Shropshire.
Thursday 5 September 2019 – A private visit to Oak House, West Bromwich.
RFS visit to two chairmaking workshops in Warwickshire, Tuesday October 30th 2018
Now Fully Booked!
The first members’ event this Autumn is to Lawrence Neal’s workshop and Dave Green’s Sitting Firm company.
Lawrence Neal is the only remaining maker of rush-seated chairs with a direct line of apprenticeship to Philip Clissett. Many of Lawrence’s chairs were designed by Ernest Gimson who took the Clissett tradition forward. Gimson’s aim was to prove that well designed and skilfully made chairs can be produced by village craftsmen and be comparable with the best work of the old chairmakers. The combination of English woodland timber and rushes create a unique, light but strong and lasting chair, with an honest unassuming beauty. Looking forward to retirement and concerned of the future of the tradition, Lawrence has, with the help of the Heritage Crafts Association, secured funding from a private benefactor for two apprentices to learn the craft before moving the workshop to the Scottish Borders.
Dave Green founded Sitting Firm in 1989 with the aim of producing fine quality traditional Windsor chairs for the retail and export markets. As the fashion for traditional furniture declined his business has evolved to become a maker of short runs of innovative modern Windsors designed by leading international architects and furniture designers – many for specific buildings . One of his most recent commissions was to provide the chairs for the new entrance and café of Kettles Yard in Cambridge.
Cost for the day £15. Numbers are limited and available to RFS members, their guests and bursaries only. Refreshments are not included but we will find somewhere to lunch together. Book by 15th October. You may print off the booking form here: Booking form which must be posted (address is given on the booking form) and accompanied by a cheque.
Event: The Rush Seated Chair, Marchmont House, 14 – 15 September 2018
A date for your diaries:
RFS members will be interested to hear about a two day symposium considering the rush seated chair, to be held at Marchmont House, Berwickshire this September.
This symposium will investigate the rush seated chair in all its facets, from the material and the ways in which the rush seats were made, to the widespread variety of vernacular types. Discussion will lead to some of the talented architect/designers whose names became associated with their revival. The scope of the symposium will cover all contexts, from the urban to the rural; from the country house to the cottage.
Full details of the event and the programme can be seen here Programme, and tickets can be purchased via the Eventbrite website here: The Rush Seated Chair – A celebration of past, present and future.
RFS 2018 Conference and AGM to go ahead in Glasgow
Notice of Annual General Meeting 2018
The 2018 Annual General Meeting of the Regional Furniture Society will be held at 9:30 a.m. on Sunday 1 July in the Glasgow School of Arts Students Hostel Building, on the fifth floor. It is in Blythswood House on West Regent Street, Glasgow.
All RFS members are invited to attend, not just those attending the Glasgow Conference.
The Annual Report and Accounts for the year ending 31st December 2017 are available on the website here; any member requiring a paper version should send an A4 self-addressed envelope to the Secretary requesting a copy.
Chippendale 300 exhibition: ‘The Paxton Style: Neat & Substantially Good’, Paxton House, 5th June to 28th August 2018
Paxton House will be holding an exhibition to celebrate Chippendale 300, The Paxton Style: ‘Neat & Substantially Good’ exhibition (5th June to 28th August 2018) showcasing new research on the Chippendale furniture commissioned by the Home family and including masterpiece loans from private and public collections including the V&A Museum and National Museums of Scotland. It will also examine the influences upon the pieces and the legacy they had on further work by the Chippendale firm and beyond. The exhibition will be free to attend and will be open daily from 11am-3pm.
There will also be a series of events and lectures associated with the exhibition held over the summer period, including:
- 14th June: Lecture by James Lomax, Hon. Curator of The Chippendale Society, ‘Chippendale: Master of Style’
- 26th June: One day masterclass on Chippendale at Paxton led by Professor David Jones.
- 26th July: Lecture by Dr Adam Bowett, Chairman of the Chippendale Society, ‘Through tempestuous seas’
- 2nd Aug: Lecture by Dr Fiona Salvesen Murrell, Curator of Paxton House, ‘Chippendale: connection in the Caribbean, Grenada, slavery and Paxton’
- 9th Aug: Lecture by Charlotte Rostek, Curator Emeritus of Dumfries House, ‘Dumfries House- an Ayrshire Renaissance’
Use the links on the events above for more information about timings and entry prices, or download the full list of events relating to the exhibition at Paxton House here.
For further information on events across the country to celebrate the tercentenary of Chippendale’s birth have a look at the Chippendale 300 website.
Chippendale 300: 1718 – 2018
THIS EVENT IS NOW FULLY BOOKED
During 2018 Thomas Chippendale and his legacy are being celebrated as widely as possible, both by encouraging greater public awareness of his genius and the glories of 18th century craftsmanship, and by demonstrating how the same spirit animates today’s designers and makers.
The Chippendale 300: 1718 – 2018: A celebration of Britain’s greatest furniture maker project has formed partnerships with institutions and historic houses across the country and created a programme of exhibitions and events to celebrate Thomas Chippendale’s tercentenary.
Highlights include an exhibition at Leeds City Museum, co-curated by our own Adam Bowett, and James Lomax, Curator of the Chippendale Society: Thomas Chippendale: A Celebration of Craftsmanship and Design, 1718-2018 (9 February – 9 June 2018, Leeds City Museum). Adam will be offering RFS members a guided tour of the exhibition in March (see the Events page for how to book).
The full press release for Chippendale 300 can be downloaded here: Chippendale 300 press announcement
RFS Spring/Summer Events 2018
The new events listings and booking forms are now available on our Events pages and in the latest copy of the Newsletter.
Details of the 2018 Research in Progress event, a trip to Shandy Hall and the RFS Annual Conference, this year to be held in Glasgow, are included, as well as a visit to Leeds for the exhibition Thomas Chippendale: A Celebration of Craftsmanship and Design, 1718-2018, which will be accompanied by the exhibition’s co-curator Adam Bowett.
www.chippendale300.co.uk
Research in Progress: New thinking about sixteenth century furniture, 24 February 2018 at the V&A, London
The 2018 RFS Research in Progress meeting will be held at the V&A Sackler Centre on the 24th February.
This year the event will focus on the sixteenth century, which saw great change in furniture types, usage, construction and decoration. Although a substantial body of material survives, the importation of furniture, the influx of immigrant craftsmen and the recycling of fragments complicates study of the field. The five papers presented will address a variety of furniture types and influences, based on close study of surviving pieces.
- Early marquetry technique in Europe – Yannick Chastang
- Imported cypress chests in the ‘long’ sixteenth century – Nick Humphrey
- The French furniture-making school in sixteenth-century Edinburgh – Michael Pearce
- Some problems in studying sixteenth-century furniture – Chris Pickvance
- Early Elizabethan chairs and chests at Sizergh Castle – Megan Wheeler
Further details about the presentations and speakers are available here on our new Research in Progress page .
The event will start at 10 am for 10.30am, and will finish at 4.45pm. It is open to all. The fee is £34 for RFS members, £39 for non-members and covers attendance and tea/coffee but not lunch, which can be purchased in the V&A café.
A number of 50% bursaries will be available (application details are available on the Research in Progress Booking form 2018). The deadline for applications is 5 February 2018.
Clive Edwards to give the 2017 Christopher Gilbert Lecture, 3:00 p.m. Saturday 21 October at the Geffrye Museum, Shoreditch
Clive Edwards, Emeritus Professor of Design History, Loughborough University, will deliver this year’s Christopher Gilbert Lecture: The upholsterer and the retailing of domestic furnishings 1600–1800. Clive will welcome questions and discussion after his lecture while tea is served. Cost: £10 for members and guests.
To make a day of it an informal visit is planned to the Charles Dickens Museum, Bloomsbury, the family home of Charles and Catherine Dickens in London, where the author wrote Oliver Twist, The Pickwick Papers and Nicholas Nickleby, and where he first achieved international fame as one of the world’s greatest storytellers. The house, in a late Georgian terrace, with faithfully re-created interiors, including many items of his furniture is where his three eldest children were born and where he entertained many famous guests. Lunch may be taken nearby, or members may prefer to lunch at the Geffrye Museum, which is only a short bus ride away.
The Christopher Gilbert Lecture booking form
Exhibition: Take a Seat! An exhibition of Lincolnshire chairs, Louth Museum, 13th September to 28th October 2017
Members will be interested to hear about Take a Seat! An exhibition of Lincolnshire craftsman-made chairs which will be held at Louth Museum from 13th September to 28th October 2017.
The extraordinary history of chairmaking at the beginning of the nineteenth century in Lincolnshire has only recently been revealed by vernacular furniture historian and long standing member of the RFS, William Sergeant. He has shown that the scale of windsor chair manufacture was unique in the UK and was far greater than was previously thought. During this period hundreds of thousands of chairs were made in workshops in Grantham, Sleaford, Boston, and then later in Stamford and Bourne. They were distributed and sold all over the Midlands and the North. Their style is distinct to the county and examples can still be found today in good condition, in auctions and antique shops.
Previous to this, in the eighteenth century, the simple rush seated ladderback chair had superseded the stool in country households. Lincolnshire produced large numbers of these chairs, with the centre of manufacture around Louth, Spilsby and Alford, extending later to Boston and Spalding. It is rare for good examples to have survived to the present day.
William Sergeant has been collecting and researching Lincolnshire’s chairs and is recognised as the country’s leading authority on the subject. On the evening of Tuesday 10th October he will be giving a talk on the subject, and on Saturday 14th October there will be an open day chair surgery: the aim of which is to try and find well provenanced local chairs, in the hope of establishing exactly which patterns were made in the towns of Spilsby, Alford, Caistor and Louth.
Date for your diary: Furniture History Society Annual Symposium, Saturday 6 May 2017
The Furniture History Society’s forthcoming Annual Symposium,
‘IN THE SPIRIT OF CORINTH AND ATHENS’: NEO-CLASSICAL GILT BRONZE
will be held on Saturday 6 May 2017. Full details here: FHS ANNUAL SYMPOSIUM 2017 .
All welcome. Tickets for non-FHS members can be booked via events@furniturehistorysociety.org
Day school: ‘House and Home’ 25th March 2017
RFS members may be interested to know that there are still places available for the Yorkshire Vernacular Buildings Study Group’s day school on Saturday 25th March, looking at how Yorkshire houses were used and furnished in the seventeenth century. The venue is the Headingley campus of Leeds Beckett University.
Speakers include Regional Furniture Society members Peter Brears and Peter Thornborow.
Further details about the event and booking details may be found on the events page of the YVBSG website.
RFS Events 2017: A Study Day in the Lake District, Tuesday 21st March 2017 – booking now!
The schedule for 2017 is now available on the Events page and the first RFS event of 2017 will be A Study Day in the Lake District held on Tuesday 21st March 2017. Booking for the Study Day is now open – please apply by 1st March.

View of Town End Farmhouse by Jeremy Bate
Until the discovery of the Lake District by the Romantic Movement in the late 18th century, this was a remote corner of England with a unique furniture history. Our day starts at the Armitt Museum, Ambleside, founded in 1912 to preserve and share the cultural heritage of the Lake District.
The Armitt’s collection includes the Great House Press from Troutbeck dated 1634, which local RFS member and Lakes furniture specialist Frank Wood rescued, restored, and described in the 2014 journal. Frank, our guide for the day, hopes to borrow further interesting pieces from outlying sites for our benefit. The Armitt Museum also holds important collections of Beatrix Potter’s early natural history watercolours and paintings by Kurt Schwitters,.
After lunch nearby we will travel the short distance to Troutbeck, one of the least disturbed villages in the area – largely of 16th and 17th c buildings – for a private visit to Town End farmhouse (NT) the home of the Browne family for over 400 years. Town End retains its original plain oak furniture preserved and ‘improved’ by the last George Browne in the late nineteenth century and is the only accessible farmhouse in the Lake District with a quantity of original vernacular furniture. We hope RFS members with specialist knowledge of Lake District furniture will be available to share their knowledge with us. We will end the day with tea at the Old Post Office in the village.
Maximum: 30 members Cost: £50 including lunch and tea (no reduction for NT members). Download the Booking Form here.
Members may choose to stay over and visit the highly regarded Jerwood Centre at Wordsworth’s Dove Cottage at Grasmere, Beatrix Potter’s cottage Hill Top at Sawry or Blackwell, The Arts & Crafts House overlooking Windermere.
Visit to The Whitechapel Bell Foundry is now fully booked
This visit is now fully booked.
New events and visits will be listed on the website in the New Year!
We had planned a visit to the historic Whitechapel Bell Foundry, whose history began in the reign of Elizabeth I, for next autumn. However, we have just heard that the company will shortly close the premises in east London that it has occupied since 1738. We have been offered this date in February instead.
Possibly England’s oldest limited company, the foundry’s bells have rung out around the world. They include Big Ben, the largest bell ever cast by the firm, as well as the 1752 Philadelphia Liberty Bell, the bells of the Armenian church in Chennai, south India, the Bell of Hope that commemorates victims of the 9/11 attack and innumerable bells in the village churches of England.
On our visit, guided by the managing director, we will discover the materials and techniques of casting bells in bronze and be surrounded by medieval examples undergoing restoration. We will also be able to handle the very popular handbells which the company export throughout the world.
Jeremy Bate, Membership Secretary
Antique Metalware Society celebrates 25th anniversary with an online exhibition
The Antique Metalware Society, with a world-wide membership, is devoted to increasing the knowledge and promoting the appreciation of base-metal objects of all kinds and historical periods.
‘Touch Base: A Visual Celebration of 25 Years’ is a web-based exhibition in which over 100 objects have been assembled to show the diversity and appeal of the base metals and their uses. The range of exhibits includes candlesticks, cauldrons, nutcrackers, snuff boxes, fire grates and many unusual and rare objects. Copper, brass, bronze, iron and Britannia metal all feature and each object is accompanied by photographs and a detailed explanatory text.
Dr Christopher Green, Chairman of the Antique Metalware Society, sums up the exhibition ‘ this is the metalware people have lived with day to day, at home, at work and at leisure. It’s a wonderful record of the use to which base metals have been put: the practical, the ingenious and sometimes the strange and curious.’
Click here to visit the exhibition: http://www.Antiquemetalwaresociety.org.uk
More information is available from Dr Geoff Smaldon, Secretary: geoff.smaldon@gmail.com or antiquemetalwaresociety@gmail.com
New events for Autumn 2016
The programme and booking form for forthcoming RFS events are now available in the latest edition of the Newsletter and online on the Events page. The main Autumn event is a tour of the London Charterhouse. In addition, the Tools and Trades Society have invited RFS members to join them at a Technical Day at the Kelham Island Museum and Ken Hawley Collection Trust in Sheffield – further details here.
Exhibition of Lincolnshire Chairs, 8th – 18th September 2016
Members will be interested to hear about an exhibition of the largest collection of Lincolnshire windsor and rush-seated chairs to be held at Belton House this September. This will be a fascinating chance to learn about fine local chair-making and the best local craftsmanship, with several talks by William Sergeant from the Lincolnshire Chair Museum.
There will be free entrance on Saturday 10th September to coincide with the National Heritage Open Day.
Event: Wool, War and Wonders: The Story of Stow
Members may be interested in this event at St Edward’s Hall, Stow on the Wold on Saturday 20th August. The organisers, Stow Civic Society, would be very pleased to hear from anyone who has regional furniture with a close connection to Stow on the Wold and would perhaps be willing to loan it for the display.
Contact Simon Clarke via email: simon.stowcivicsociety@gmail.com or through the website: www.stowcivicsociety.co.uk/wool-war-and-wonders/
Conference: The British Antiques Trade in the 20th Century – A Cultural Geography, Temple Newsam House, Leeds , April 14th & 15th, 2016
This two-day conference is an opportunity to hear about the AHRC funded 32 month research project, the Antique Dealer Project, and is focused on the history of the British Antique Trade in the 20th century. The project is a collaboration between the University of Leeds and the University of Southampton.
The conference programme includes a selection of academic papers from the project team, together with talks from well-known figures from the world of antiques, and high-profile antique dealers. There is also an ‘In Conversation’ session, with a selection of the oral history interviewees involved in the research project, as well as some facilitated discussion group sessions based around issues in the history of the antique trade.
Alongside these academic papers, talks and discussion groups, there are also expert-led guided tours around our venue, Temple Newsam House, together with specialist sessions on antique dealer archives and museum object sessions as part of behind-the-scenes tours.
For booking information use this link: booking
For a full conference programme use this link: programme
Events for Spring – Summer 2016
Christopher Gilbert Lecture with Dr Todd Gray – this Saturday, 7th November 2015
The Christopher Gilbert Lecture is being held at the Geffrye Museum, London, this Saturday 7th November at 2:30pm. Dr Todd Gray MBE, will be presenting his research on `Local sensibilities in bench end carving in Devon and the West Country, 1480 – 1650′,
Todd Gray is Research Fellow at Exeter University; he is currently completing a project funded through the Pilgrim Trust which identifies all of the ancient bench ends in the churches in the six counties of South West of England. His lecture explores the use of design, principally Gothic and Renaissance, by English and continental craftsmen amidst the changing religious considerations of the sixteenth and early seventeenth centuries. The cost will be £10 to members. For tickets please contact the Events Secretary – events.rfs@gmail.com.
Talk by Peter Thornborrow in Halifax, 20th and 26th October 2015
RFS member and architectural historian Peter Thornborrow is giving talks in October that will undoubtedly be of interest to our northern based members. His subject is “The 17th century Oak Furniture and Vernacular Houses of the Pennines – a fascinating story of regional differences”.
He will be speaking at the Halifax Antiquarian Society, Halifax Central Library, Northgate, Halifax, 7:15 for 7:30 pm on Tuesday 20th October and again on the same topic, on Monday 26th October, to the Halifax Antiques Society, 7:15 for 7:30 (a small fee is payable at each venue).
RFS Events Autumn 2015
There are two new events on the schedule for this Autumn.
Treasures of the North West, Friday 16 October
Visits have been arranged to Browsholme Hall and Stonyhurst College, both Grade I listed halls dating predominantly from the Elizabethan era. An optional visit to another North West property will be arranged for the morning of Saturday 17th, if there is interest. The cost will be £35 to include coffee and light lunch; if there is sufficient interest an additional visit will be arranged to another local property on the Saturday morning.
For full details please see the full listing on the Events page
Christopher Gilbert Lecture, `Local sensibilities in bench end carving in Devon and the West Country, 1480 – 1650′, Dr Todd Gray MBE, 7 November 2015
Dr Todd Gray is Research Fellow at Exeter University; his lecture explores the use of design, principally Gothic and Renaissance, by English and continental craftsmen amidst the changing religious considerations of the sixteenth and early seventeenth centuries. The lecture will be held at the Geffrye Museum London and the cost is £10 to members.
For full details please see the full listing on the Events page
Research in Progress day, Saturday, May 23rd – places still available
There are still places available for the Research In Progress day, which is being held on Saturday, May 23rd. The venue is Rippon College Cuddesdon, Oxford, OX44 9EX, 10 – 5pm
![Rippon College, Colin Bates [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons](https://regionalfurnituresociety.files.wordpress.com/2015/02/ripon_college_cuddesdon_-_geograph-org-uk_-_90723.jpg)
Rippon College, Colin Bates [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons
The day will also include visiting the original buildings of Cuddesdon College, designed by G E Street in the 1850s, which still retain some of the furniture he designed.
The cost of the day is £30 per head and includes coffee, lunch and tea. Please contact the events secretary on events.rfs@gmail.com or using the online booking form here.
Exhibition: Make Yourself Comfortable, 28 March – 23 October 2015, Chatsworth House
RFS members may be interested in this invitation “to experience Chatsworth in a new way; to take a seat and make yourself comfortable.”
Chatsworth is “turning to contemporary furniture designers to provide a completely different experience for our visitors”. A number of works have been specially commissioned for the exhibition by established and emerging designers including a collaboration with students at Sheffield Hallam University.
There is also an opportunity to join the curator, Hannah Obee, for a Make Yourself Comfortable tour on 24 April and 26 June.
For more information, see here: http://www.chatsworth.org/attractions-and-events/events/event/make-yourself-comfortable
Masterclasses in Sitting, High Wycombe, April 17th 2015
RFS members are invited to attend a free series of presentations by manufacturers, designers and historians to discuss High Wycombe’s famous history of bodging and the Windsor Chair.
Masterclasses in Sitting is a commission for the new Wye Dene development in High Wycombe. Taking as the starting point High Wycombe’s rich history as the centre for furniture production, public works proposes a project which uses ‘sitting’ as a way of relating. Connecting the new Wye Dene estate with High Wycombe, its past and future.
Exhibition: An Abiding Standard, Royal Academy of Arts, 25th February – 24th May 2015

241. “The Chair Maker”, engraving, 1944 [215 x 154 mm] Private Collection. © Stanley Anderson Estate
Events for Spring 2015 and AGM and Conference Details
Ahead of the publication of the Spring Newsletter, details of some the upcoming RFS events are now available on the Events page.
In April members have been invited to visit Tim Phelps Fine Furniture Restoration workshop and the Research in Progress event will take place at Ripon College Cuddesdon, near Oxford in May.
Arrangements for the AGM and conference are underway and the particulars can be seen in full here: Conference and AGM 2015. Please note that the conference will take place on the first weekend in July – slightly earlier than usual.
As usual, please direct any enquiries or bookings to the Events Officer – events.rfs@gmail.com or use the online form here.
Exhibition: Then and Now, The London College of Furniture
This year the CASS School of Design is celebrating the 50th Anniversary of the ‘The London College of Furniture’ 1964-2014 with an exhibtion. The ‘Then and Now’ exhibition will be open to the public from the 28th November 2014 until 14th January 2015. For further details see here: http://www.thecass.com/news-events/2014/november/london-college-of-furniture-at-50
Volunteer Opportunity: Furniture Department at the V&A
The Furniture Department of the V&A is looking for a long-term volunteer willing to assist on a regular basis with the ongoing, computer-based work of documenting the Furniture collection: scanning and transcribing written records, editing digital images, and adding them to the Museum’s databases, under supervision in the Furniture department offices at the Museum.
If you are interested in this role please contact Nick Humphrey: nickhu@vam.ac.uk / 0207 942 2436
The 16th Annual Frederick Parker Lectures and Dinner – Thursday 16th October 2014
The 16th Annual Frederick Parker Lectures and Dinner takes place this year on Thursday 16 October.
There are to be two lectures. The first is given by Sarah Medlam, furniture historian and former Deputy Keeper of the V&A’s Department of Furniture, Textiles & Fashion and President of the RFS. Sarah’s lecture is entitled Investigating Luxury: the Writing cabinet of Augustus III of Saxony
In addition Clive Stewart-Lockhart FRICS, FRSA, Antiques Roadshow celebrity, and auctioneer and Managing Director of Woolley & Wallis in Salisbury, will be speaking on Betty Joel: Glamour and Innovation in 1920’s and 1930’s Interior Design.
For full details of the event and a booking form please see here: Frederick Parker Collection Annual Lecture 2014 or for the Frederick Parker Collection website events page see here: http://www.frederick-parker-foundation.org/events.php
Reminder: Chairmaking in Lincolnshire, Monday 22 September
There are still places available for the Chairmaking in Lincolnshire event taking place near Newark on Monday 22 September. Full details are on the Events page here.
Please contact events.rfs@gmail.com to book or use the booking enquiry form here. Further details of the venue will be sent on receipt of your application.
The cost is £30 per person and will include lunch. If you are aware of members who might be interested to attend please do pass on these details.
2014 Christopher Gilbert Lecture
A quick reminder that the 2014 Christopher Gilbert Lecture: ‘A Day at Home in Early Modern England’ will be given by Dr Catherine Richardson, and held at the Geffrye Museum, London, on Saturday 29 November 2014 at 2.30pm.
Catherine Richardson is Reader in Renaissance Studies at the University of Kent. She and Tara Hamling, Senior Lecturer in Early Modern History and Fellow of the Shakespeare Institute at the University of Birmingham, have a book forthcoming with Yale University Press about how the ‘middling sort’ used domestic spaces and objects in early modern England. They are developing new methods for the study of domestic material culture and examining how people experienced their living spaces and furnishings – from bed chambers and warming pans to apostle spoons and chamber pots. Their research will be the subject of her lecture and their website can be viewed here: materialhistories.wordpress.com
The Christopher Gilbert lecture is open to all and will be relevant to those with an interest in interiors or buildings, and how they are studied.
Cost: £10 for members; £12 for non-members. Contact events.rfs@gmail.com or use the booking form here.
A full listing of previous years’ lectures can be seen here.
Chicago and Milwaukee, Friday 3 October – Saturday 11 October 2014
It is still possible to join the Society’s visit to Chicago and the Milwaukee area in October. Flight arrangements are being made individually but we will meet in Chicago on Saturday 4 October, staying in a city centre hotel for 3 nights, then by coach to Crab Tree Farm for a day visit and on up to Milwaukee, where we stay for a further 2 nights before returning to Chicago for one last night and free day. This last night is optional.
This trip will not be wall to wall regional furniture. It includes Crab Tree Farm, the museum formed by John Bryan with outstanding collections of English and American furniture and one of the best collections anywhere of American Arts and Crafts furniture and decorative arts, so this is certainly a highlight for those seriously interested in furniture; and the Chipstone Foundation, a private collection with extensive first-class collections of fine American furniture and early English pottery, the Foundation is run by Jon Prown, our erstwhile American Secretary and a leading expert in American furniture history. In the Milwaukee area we plan to visit two further collections in historic houses: one is a lovely old house with a fascinating personal collection but a visit here will depend on the owner’s health and this may not prove possible. The other, Kelton House Farm, is a relocated colonial Massachusetts house with a collection of early colonial American furniture mainly from New England. Apart from these we will be seeing great 19 and 20th century architecture in Chicago, a city with a character and energy all on its own, superb art and decorative arts in the Art Institute, Frank Lloyd Wright’s studio and Unity Temple, and a quirky artist’s house and eclectic collection at the Roger Brown House. There will be plenty to do and see but if you are hoping for 6 days of vernacular furniture this trip will not deliver.
The cost of accommodation, coach travel, entrances etc will be £835 per person, based on two persons sharing a room. There is a supplement for a single room. This price will reduce if a few more people join the tour.
As an indication re flights, at the moment return Virgin Atlantic flights direct to Chicago from Heathrow seem to be about £750; non-direct flights about £650.
If you would like further information, please contact Polly Legg (events.rfs@gmail.com).
Exhibition: British Folk Art at Tate Britain 10 June – 31 August 2014
A new exhibition opened at Tate Britain last week.
From the Tate Britain website:
“Discover the extraordinary and surprising works of some of Britain’s unsung artists in the first major exhibition of British folk art. Steeped in tradition and often created by self-taught artists and artisans, the often humble but always remarkable objects in this exhibition include everything from ships’ figureheads to quirky shop signs, Toby jugs to elaborately crafted quilts…Folk art has often been neglected in the story of British art: by uncovering this treasure trove of folk art objects, this exhibition asks why.”
For more information, booking tickets and listings of associated events see here: www.tate.org.uk/whats-on/tate-britain/exhibition/british-folk-art
RFS Chicago 2014, Friday 3 October to Saturday 11 October
We can now confirm that the proposed trip to Chicago and the surrounding area is going ahead from Friday 3 October until Saturday 11 October. The itinerary can be seen on the Events page and for further details please contact events.rfs@gmail.com.
Exhibition: Pots and Tiles of the Middle Ages, Sam Fogg, until May 16th 2014
Readers may be interested to know about a fascinating exhibition currently on at the Sam Fogg gallery in London,W1: Pots and Tiles of the Middle Ages. This rare functional pottery was described many years ago by W. B. Honey as the some of the most beautiful pottery in the world.
The collection of largely English and French items (including at least one pot from Dorset and a large number of tiles from a church in Somerset) has been assembled by Maureen Mellor of Oxford University over the last 20 years and is displayed at eye level with no glass barrier. You can view a selection of the exhibits here.
Entry is free and there is a fine illustrated catalogue at £20, see here. The show runs until May 16th 2014.
Exhibition: William Kent – Designing Georgian Britain, Victoria & Albert Museum, 22 March – 13 July 2014
If you haven’t already seen it, the V&A’s current exhibition William Kent – Designing Georgian Britain, will be of some interest.
“Experience the world of William Kent, the most prominent architect and designer in early Georgian Britain and explore how his versatility and artistic inventiveness set the style for his age when Britain defined itself as a new nation and developed an Italian-inspired style.” For more information see here.
To complement this major design show we have organised a morning visit to Chiswick House, for members on Thursday15th May. See the Events page for further information and booking details.
Chicago and Milwaukee Tour, October 2014
Plans for a tour to the Chicago and Milwaukee areas are making progress, with the help of Jon Prown, our former American Hon Sec and Director of the Chipstone Foundation. It promises to be a fascinating tour taking in one America’s most amazing cities and spectacular countryside right over the autumn ‘fall’ when the maple leaves should be at their best. Full details are being worked up but it looks as though it will be around 8 days in early October for a travel and hotel costs of around £1,200 pp, plus meals and other expenses.
Some of the attractions in Chicago, apart from the extraordinary architecture and lakeside setting, include the Art Institute of Chicago, a world-class museum with great decorative arts collections and a famous series of miniature period rooms; a number of late 19thc town houses with stunning aesthetic style décor; and of course Frank Lloyd Wright’s home and studio. Just outside Chicago we will visit John Bryan’s home and museum at Crabtree Farm, one of the most amazing private museums with wonderful American and English furniture, Arts and Crafts collections and active workshops for artists and craftsmen.
In the Milwaukee area visits will include the Chipstone Foundation to see high quality American period furniture and a great collection of English delftware; private collections in nearby houses of early American and English furniture and decorative arts; Old World Wisconsin, a living history museum; and Ten Chimneys Foundation, the Scandinavian-style country home of Alfred Lunt and Lynn Fontanne, famous acting duo of the 1920s, filled with their furniture, art and personal possessions.
So there should be plenty of variety, much of interest and quite a lot of spectacular! Polly already has a list of those who have expressed interest; any others should get in touch with her. Further details and booking forms will follow.
– David Dewing (ddewing@geffrye-museum.org.uk)
This weekend: “The life and times of Thomas Chippendale” Friday 21 February – Sunday 23 February 2014, Maddingley Hall, Cambridge
We have just been notified about this fascinating course, being run by the University Of Cambridge Institute Of Continuing Education this coming weekend:
The life and times of Thomas Chippendale
Thomas Chippendale’s role in the development of furniture will be studied in the context of other designers and cabinet-makers working in the period 1740 to 1780. His work in the rococo taste and then in the neo-classical style for Robert Adam will be considered along with his standard design book of 1754: The Gentleman and Cabinet-Maker’s Director.
The course will be taught by Martin Beazor. Martin is an antiques dealer and the Managing Director of his long-established family business, John Beazor Antiques in Cambridge. Martin has also lectured for the University of California, NADFAS and many antiques clubs and societies. He endeavours to convey not only the facts but also the feel of this fascinating subject. Martin has also been a member of the vetting Committee of the British Antique Dealers’ Association annual Fair. He is now a Fellow of the RSA.
This course will take place at Madingley Hall, an elegant 16th century country house three miles west of Cambridge that has been the home of ICE for much of its 140-year history. Accommodation within the Hall is available for the duration of the course weekend if desired, and meals in the grand dining hall – presenting an excellent opportunity for further discussions with fellow students – are included as part of the cost.
The fee for this course is £240. Accommodation is available in one of Madingley Hall’s comfortable en suite bedrooms for the course weekend if required; visit the website for full details:
http://www.ice.cam.ac.uk/component/courses/?view=course&cid=9512
Date for Your Diary: Furniture Surgery, Sunday June 1st 2014
Bill and Gerry Cotton plan to hold one or more furniture surgeries in 2014 in their home town of Cirencester for members who have furniture items, including chairs, which they can bring (or photographs of larger pieces), and who would like to hear them discussed, and hopefully learn more about them. It is also an opportunity to share your pieces with others, and to enjoy meeting fellow enthusiasts whilst expanding your knowledge, and hearing other views as well. Our own archive and library will be available, and, time permitting, our own household collection of regional furniture can also be examined as well. If those attending will send a photograph of their item(s) ahead of the event, it will give time for further research to be done.
The surgery will be held in the Cirencester saleroom of Moore Allen, whose Director, Phillip Allwood, has generously offered to open its doors to our group, and to provide catering facilities and access to objects in their collective sale for discussion as well.
This event are intended to be fun and instructional. There will be no fee for the day surgery, but a charge of £20.00 per person to cover the cost of the administration, lunch with wine, tea, and other refreshments, will be made. Bona fide students will be admitted free of all charges.
Cirencester is a lovely old town, and if you wish to stay overnight, we can suggest suitable central accommodation. An excellent train service connects to nearby Kemble station.
Please e-mail us if you would like to attend.
Dr.Bernard Cotton FSA, 10 Mill Place, Cirencester, GL7 2BG cotton@trouthouse.freeserve.co.uk
A loan exhibition: Metalwork for furniture 11 to 16 November 2013
As part of the Honiton Antiques Festival, long-standing RFS members Roderick & Valentine Butler are putting on an exhibition showing a country dealer’s workshop collection of 18th – 19th century handles, castors, hinges and bolts, including many examples with makers’ marks. Brassfounders’ catalogues will also be on view. The exhibition is on for one week only from 11 to 16 November 2013.
Any fellow RFS members prepared to make the pilgrimage to Honiton are assured of a warm welcome. The full programme for the week, shown by week and by day, is given on the website www.honitonantiquesfestival.com.
For further information please email v.butler9@btinternet.com or call 01404 42169.
RFS visit to the Rijksmuseum, Amsterdam, early 2014
The Rijksmuseum has recently re-opened after a major re-display of their collections. An RFS visit has been proposed and is currently being arranged for January or February 2014, with the help of Paul van Duin, head of furniture conservation at the museum. In addition to the galleries we will also visit the conservation workshops. It is proposed that members will make their own arrangements for travel and accommodation.
If you would like details once they are ready, email events.rfs@gmail.com.
East Anglian Chairs at UEA
The University of East Anglia celebrates its 50 years of existence with an outstanding exhibition at the Sainsbury Centre, UEA, Masterpieces: Art & East Anglia. Among the range of works, from archaeological finds to sculpture and paintings, there is a group of East Anglian chairs, including Mendleshams (from Ipswich Museum) and good examples of the hollow nail seating characteristic of the region, assembled by Jason Gathorne-Hardy for the Alde Valley Festival. The show continues until 24 February 2014. For further information see here: http://www.scva.ac.uk/masterpieces/.
Frederick Parker Foundation Annual Lecture and Dinner – Tuesday 15th October
(Images by kind permission of the Frederick Parker Foundation)
Readers may be interested to know that the 15th Annual Frederick Parker Lecture and Dinner will take place on Tuesday, 15th October 2013. Susan Stuart is to speak on Gillow Chairs and Fashion, 1750-1850 and Dr John Cross will also speak on Authentic Antique Designs; Frederick Parker and Co 1900-1939.
The lecture and dinner will be held at the Institute of Physics, Portland Place, London, W1, 6.30 until 10.00. For further information on what promises to be a very enjoyable evening and to book tickets see here http://www.frederick-parker-foundation.org/events.php.
Saturday 12 October: 13th Annual Christopher Gilbert Lecture and visits
Saturday 12 October: 13th Annual Christopher Gilbert Lecture, John Allan, BA, MPhil, FSA, Breton Woodworkers in Early Tudor Devon, Colebrooke, near Crediton, Devon.
This year’s lecture is being given in a beautiful part of Devon and our lecturer, John Allan, will also lead some associated visits. Members who attended our annual conference in Exeter in 1993 will remember John, who was then Curator of Antiquities at Exeter Museum (1984-2004), lecturing and leading our visits in the city. He was Project Manager for Exeter Archaeology from 2004 to 2011, has served as Joint Editor of the Journal of the Society for Post-Medieval Archaeology, Member of Council of the Society for Medieval Archaeology, Member of Council of the Society of Cathedral Archaeologists, a Trustee of the Devon Historic Buildings Trust, and Editor (1984-1997) of the Devon Archaeological Society and is currently Archaeologist to the Dean and Chapter of Exeter Cathedral and Archaeological Consultant to Glastonbury Abbey.
The first visit of the day will be to the Church of the Holy Cross at Crediton to look at an early 16th century French, possibly Normandy, chest; we will then move to the village of Colebrooke for the lecture and a visit to the parish church. After lunch we will visit nearby churches at Lapford and Coldridge, finishing with tea in the Church Room at Sampford Courtenay to see the 16th/17th century, morticed into the floor, oak table and benches.
Chris Pickvance has invited two Breton visitors to join us for the day – Marguerite Le Roux-Paugam, a specialist on Breton furniture, and her husband Charles Le Roux, an archaeologist who edits the archaeological journal for west France and whose father had a large collection of early Breton carved panels.
Fee: £40 to include coffee, lunch and tea. Please note, overnight accommodation should be booked independently if required.
Sunday 13 October: ‘The Art of the Woodcarver’, An Exhibition, Marwood House, Honiton, Devon, on view from 10am-4pm
To compliment this year’s Christopher Gilbert Lecture, Roderick & Valentine Butler will remount a loan exhibition in their showrooms at Marwood House, Honiton, ‘The Art of the Wood Carver – Medieval to 19th Century’. The exhibition was previously displayed as part of the Honiton Antiques Festival in November 2012. It includes the Herbert Read Workshop Collection together with loan pieces from private collections.
This event relates to the work seen on Saturday 12th; if you wish to attend both events there is no charge for the event on Sunday. If you wish to book for Sunday only there is a £10 charge towards RFS administration.
To book either or both of these events or for further information please contact events.rfs@gmail.com
2013 Exhibition – Mary Queen of Scots
The exhibition ‘Mary Queen of Scots’ currently on at the National Museum of Scotland, Edinburgh may be of interest to members as it contains a number of items of early furniture and panels (including two of the ‘Stirling heads’). The chest described by RFS member Aidan Harrison in his article in Regional Furniture 2012 is also included (take a torch!)
For further information see here: http://www.nms.ac.uk/our_museums/national_museum/exhibitions/mary_queen_of_scots.aspx
2013 New Exhibition – The Three Sisters
Katie Abbott is a longstanding RFS member and greenwood furniture maker. She has been making bespoke chairs and other furniture from greenwood for nearly 30 years, using timber mostly from her own Essex wood.
Katie has a new exhibition, along with her two equally talented sisters, Caroline and Rachel at 54 The Gallery, Shepherd Market in London. The Three Sisters show runs from Wednesday 31st July to Saturday 3rd August 2013. For further details see here: www.thethreesisters.org.uk
2013 Annual General Meeting
This year’s AGM is being held on Sunday 14 July at 10am in the St Trinnean’s Suite in St Leonard’s Hall at the Pollock Halls of Residence, Edinburgh University. It is free to all members.
Symposium at the Victoria and Albert Museum
Furniture: making and meaning
Friday May 17th 2013
Hochhauser Auditorium, Sackler Centre
10.30 – 17.30
To celebrate the opening of the V&A’s new Dr. Susan Weber Gallery of Furniture, this one-day symposium investigates furniture materials, making and design. Looking at the relationships between materials, techniques, and a wider culture of use, the symposium will address questions of technological development, adaptation, trade and cross-cultural exchange.
Papers from leading scholars and curators will be accompanied by two live-feed sessions in which objects from the V&A’s collection are examined in detail by experts. The day will finish with a panel discussion in which leading contemporary designers discuss the relationship between design and making. Speakers include Adam Bowett, Carolyn Sargentson, Christine Guth, Christopher Wilk, Joris Laarman, Julia Lohmann and Gareth Neal.
£25, £20 concessions, £10 students
Book online via the V&A website
or call 0207 942 2211
The programme is subject to change without warning.
13th Annual Christopher Gilbert Lecture, Saturday 12 October 2013,
John Allan, BA, Mphil, FSA, Breton Woodworkers in Early Tudor Devon.
This year’s Annual Christopher Gilbert Lecture will be given by John Allan. Currently Archaeologist to the Dean & Chapter of Exeter Cathedral and Archaeological Consultant to Glastonbury Abbey, he has served as Joint Editor of the Society for the international journal Post-Medieval Archaeology, Member of Council of the Society for Medieval Archaeology, Member of Council of the Society of Cathedral Archaeologists, a Trustee of the Devon Historic Buildings Trust, and Editor (1984-1997) of the Devon Archaeological Society. For twenty years (1984-2004) he was Curator of Antiquities at Exeter Museum, and then Project Manager of Exeter Archaeology until 2011. He has long been a friend to the Regional Furniture Society; members who attended our annual conference at Exeter in 1993 will remember his lectures and guided tour of the Cathedral and city. He has been an avid fan of Brittany for many years and this has led him to research the subject of his lecture.
The lecture will be in the morning and there are plans visit some churches in the afternoon. For further information please contact events.rfs@gmail.com